यन्मर्त्यलीलौपयिकं स्वयोग-
मायाबलं दर्शयता गृहीतम् ।
विस्मापनं स्वस्य च सौभगर्द्धे:
परं पदं भूषणभूषणाङ्गम् ॥
yan martya-līlaupayikaṁ svayoga-
māyā-balaṁ darśayatā gṛhītam |
vismāpanaṁ svasya ca saubhagardheḥ
paraṁ padaṁ bhūṣaṇa-bhūṣaṇāṅgam ||
(Śrīmad Bhāgavatam: 3.2.12; cited in the Dig-darśinī-ṭīkā on Bṛhad Bhāgavatāmṛta: 2.5.108; Bhakti-rasāmṛta-sindhu: 2.1.215; the Durgama-saṅgamanī-ṭīkā on Bhakti-rasāmṛta-sindhu: 1.1.1, 2.5.108; Prīti Sandarbha: 80; Caitanya-caritāmṛta: 2.21.100)
“To show the power of his own yogamāyā [i.e., his cit-śakti] he [i.e., Śrī Kṛṣṇa] assumed that [form of his] suited to human līlā and astonishing even to himself, the apogee of the attainment of good fortune, the limbs of which are the ornaments of his ornaments.”
Categories
Beauty, Bhāgavata Sandarbha, Bhakti-rasāmṛta-sindhu, Caitanya-caritāmṛta, Camatkāra, Cit-śakti, Dig-darśinī-ṭīkā on Bṛhad Bhāgavatāmṛta, Durgama-saṅgamanī-ṭīkā, Jīva Gosvāmī, Kṛṣṇa, Kṛṣṇa Dāsa Kavirāja Gosvāmī, Mādhurya, Nara-līlā, Prīti Sandarbha, Rūpa Gosvāmī, Sanātana Gosvāmī, Śrīmad Bhāgavatam, Sūkti Sudhākara, Yogamāyā