vidagdhānāṁ mitho līlā-vilāsena yathā sukham
vidagdhānāṁ mitho līlā-vilāsena yathā sukham |
na tathā samprayogeṇa syād evaṁ rasikā viduḥ ||
yathā—
balena parirambhaṇe nakha-śikhābhir ullekhanaṁ
haṭhād adhara-khaṇḍane bhuja-yugena bandha-kriyām |
dukūla-dalane hatim kuvalayena kurvāṇayā
ratād api sukhaṁ harer adhikam ādadhe rādhayā ||
yathā vā—
narmotseka-kalā dṛg-añcala-camatkārī bhruvor vibhramaḥ
saṁvyānasya vikarṣaṇe caṭulatāṁ karṇotpalenāhatiḥ |
krīḍeyaṁ vraja-nāgarī-rati-guror gāndharvikāyās tathā
bhūyiṣṭhaṁ suratotsavād api navāsvādaṁ vitene sukham ||
ata eva śrī-gīta-govinde—
pratyūhaḥ pulakāṅkureṇa niviḍa-śleṣe nimeṣeṇa ca
krīḍā-kūta-vilokite’dhara-sudhā-pāne kathā-narmabhiḥ |
ānandābhigamena manmatha-kalā-yuddhe’pi yasminn abhud
udbhūtaḥ sa tayor babhūva suratārambhaḥ priyaṁbhāvukaḥ ||
(Ujjvala-nīlāmaṇi: 15.253–256)
“For the cultured, pleasure shall not arise from full union (samprayoga) as it shall from sportive coquetry (līlā-vilāsa) with one another. This rasikas know.
As [is described in the following verse]:
‘By scratching [him on the chest] with the tips of her nails
When he embraces [her] by force,
By blocking [him] with her arms
When he forcibly bites her lip,
And by striking [him] with a water lily
When he pulls her raiment,
Pleasure for Hari
Greater than even [that of] union [i.e., samprayoga]
Was created by Rādhā.’
Or as [is described in the following verse]:
‘The art of pouring forth jokes [exhibited by Kṛṣṇa],
And the waggling of the eyebrows
[That was] Astonishing with sidelong glances [exhibited by Rādhā in return],
The vivacity in pulling upon the upper garment [of Rādhā exhibited by Kṛṣṇa],
And the blow with a lotus from her ear [dealt to Kṛṣṇa by Rādhā in return]—
This play
Between the ladies of Vraja’s Love-teacher (Rati-guru) and Gāndharvikā
Manifested pleasure abundant and freshly relishable
Even more so than the delight of full union (samprayoga).’
Therefore, in Śrī Gīta-govinda (12.10) [the following is found], ‘Wherein obstruction arose
To their tight embraces
By their horripilation,
To their observation of the plentitude of their play
By the blinking of their eyes,
To their drinking the nectar of one another’s lips
By their talks and jokes,
And to their battle in the arts of the Mind-churner [i.e., Kāma]
By the arrival of bliss—
That [wonderful] beginning of their amorous union,
Being [most] pleasing [to them both],
Became perceptible.’”