Cit-śakti

cic-chakti-prādhānyena kṛṣṇa-rāmādy-avatāra-līlā iva

cic-chakti-prādhānyena kṛṣṇa-rāmādy-avatāra-līlā iva māyā-śakti-prādhānyena puruṣāvatāra-līlā brahmāṇḍa-nirmāṇādyā vaiṣṇavaiḥ śravyā eva, nātra kaṭākṣaḥ kārya iti śrotṛ-vaktroḥ parīkṣit-śukayor abhiprāyo veditavyaḥ |
(Excerpt from the Sārārtha-darśinī-ṭīkā on Śrīmad Bhāgavatam: 2.4.10)

“Like the līlās of avatāras with primacy of the cit-śakti, such as Kṛṣṇa and Rāma, the līlās of the Puruṣāvatāras with primacy of the māyā-śakti, such as the creation of the universe, are certainly fit to be heard by Vaiṣṇavas. A side-long glance is not to be cast towards them [i.e., one should not be disapproving of Vaiṣṇavas listening to the līlās of the Puruṣāvatāras and assert that only the līlās of Kṛṣna, Rāma, and other avatāras wherein there is primacy of the cit-śakti should be heard]. In this way the intention of the listener and speaker, viz., Parīkṣit and Śuka, is to be understood.”

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yan martya-līlaupayikaṁ svayoga

yan martya-līlaupayikaṁ svayoga-
māyā-balaṁ darśayatā gṛhītam |
vismāpanaṁ svasya ca saubhagardheḥ
paraṁ padaṁ bhūṣaṇa-bhūṣaṇāṅgam ||
(Śrīmad Bhāgavatam: 3.2.12; cited in the Dig-darśinī-ṭīkā on Bṛhad Bhāgavatāmṛta: 2.5.108; Bhakti-rasāmṛta-sindhu: 2.1.215; the Durgama-saṅgamanī-ṭīkā on Bhakti-rasāmṛta-sindhu: 1.1.1, 2.5.108; Prīti Sandarbha: 80; Caitanya-caritāmṛta: 2.21.100)

“To show the power of his own yogamāyā, he [i.e., Śrī Kṛṣṇa] assumed [that form of his] which is suited to human [-like] līlā, which is astonishing even to himself, which is the apogee of the excellence of loveliness, and in which the limbs are the ornaments of the ornaments [upon them].”

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cic-chakti-sāra-bhūtena

cic-chakti-sāra-bhūtena premṇaiva tasyānandātiśayārtham eva bhakta-vaśyatvaṁ niṣpadyata … |
(Sārārtha-darśinī-ṭīkā on Śrīmad Bhāgavatam: 10.9.19)

“[Bhagavān’s] Being captivated by bhaktas is effected only by prema, the essence of the cit-śakti, for the purpose of [producing] profuse bliss for him.”

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