Rādhā-Kṛṣṇa-līlā

tasmin śrī-hari-rādhayor yugalitaṁ yad bhāti kuṇda-dvayaṁ

tasmin śrī-hari-rādhayor yugalitaṁ yad bhāti kuṇda-dvayaṁ
saṁsaṅgena parasparaṁ parimalān manye tayos tan-miṣam |
premāsīt prakaṭaṁ yataḥ
śvasanakaiḥ kampānvitaṁ jāḍya-yug
bhaktārdra-sthiti-kṛc ca tad ghana-rasākāraṁ darīdṛśyate ||
(Gopāla-campū: 1.9)

“The united pair of Śrī Hari and Rādhā’s kuṇḍas
Which shine there [i.e., at Govardhana]—
On account of the fragrance (parimala) [arising] from meeting one another [as their garlands are crushed against each other],
I consider that their [i.e., Rādhā and Śrī Hari’s] prema [for one another]
Has manifested on this pretext [i.e., in the forms of these kuṇḍas]
Since that [i.e., their prema] is fully visible [in these kuṇḍas]
In the form of water (ghana-rasa)
Which is filled with wavering (kampānvitaṁ)
Because of the winds (śvasanakaiḥ),
Possessed of coolness (jāḍya-yug),
And a cause of wetness (ārdra-stithi) for bhaktas [who bathe in them]
[Alt., I consider that their prema has manifested in the forms of these kuṇḍas]
Since their prema is experienced at the site of these kuṇḍas
In the form of thick rasa (ghana-rasa)
Which leads to one becoming filled with trembling (kampānvitaṁ)
As a result of breathing heavily (śvasanakaiḥ),
Creates stupor (jāḍya-yug),
And causes meltedness (ārdra-stithi) [of the heart] of bhaktas.”

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vidyud-ghanāṅgau ghana-vidyud-ambarau

vidyud-ghanāṅgau ghana-vidyud-ambarau
nisarga-manda-smita-sundarānanau |
mithaḥ kaṭākṣāśuga-kīlitāntarau
rādhā-mukundau praṇamāmi tau mudā ||
(Unknown source; cited in Sādhana-dīpikā: 2)

“Lightning and cloud figures,
Cloud and lighting garments,
Naturally and mildly smiling, beautiful faces,
Hearts pierced by the arrows
Of one another’s side-long glances—
Joyfully I offer obeisance to them,
Rādhā and Mukunda.”

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ka-kāraḥ puruṣaḥ kṛṣṇaḥ sac-cid-ānanda-vigrahaḥ

ka-kāraḥ puruṣaḥ kṛṣṇaḥ sac-cid-ānanda-vigrahaḥ |
ī-kāraḥ prakṛtī rādhā nitya-vṛndāvaneśvarī ||
laś cānandātmakaṁ prema-sukhaṁ tayoś ca kīrtitam |
cumbanāśleṣa-mādhuryaṁ bindu-nādaḥ samīritaḥ ||
(Bṛhad Gautamīya-tantra; cited in the Mantrārtha-dīpikā)

“The letter k is the Puruṣa, Kṛṣṇa, who is possessed of a form of  eternal being, consciousness, and bliss. The letter ī is Prakṛti, Rādhā, the Īśvarī of Eternal Vṛndāvana. [The letter] L, furthermore, is said to be the blissful joy of their prema [for one another], and the nāda and drop [i.e., the half-moon shape and dot within the candrabindu (̐)] are said to refer of the sweetness (mādhurya) of [their] kissing and embracing.”

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vande vṛndāvanādhīśau priya-varga-samanvitau

vande vṛndāvanādhīśau priya-varga-samanvitau |
tal-līlākṛṣṭa-cittebhyas tad-bhaktebhyo namo namaḥ ||
(Sadānanda-dāyinī-ṭīkā on Govinda-līlāmṛta: 1.1)

“I offer obeisance
To the two Adhīśas of Vṛndāvana
Accompanied by the circle
Of their dear ones.
Obeisance and obeisance
Unto their bhaktas,
Whose hearts are attracted to their līlā.”

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paryaveśayad etāni sarvāṇi rādhikā kramāt

paryaveśayad etāni sarvāṇi rādhikā kramāt |
tābhyāṁ saha haris tāni bubhuje kamalekṣaṇaḥ ||
(Govinda-līlāmṛta: 15.132)

“Rādhikā gradually served all these [items], and Hari, he of lotus eyes, ate them along with the two [i.e., Subala and Madhumaṅgala].

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hṛdaya-dayita-mukha-vīkṣaṇa-hṛṣṭās

hṛdaya-dayita-mukha-vīkṣaṇa-hṛṣṭās
tad-ati-madhura-mṛdu-kānti-vikṛṣṭāḥ |
mumudur udita-pṛthu-bhāva-vihastā
ramaṇa-bhavanam adhi tāḥ puru-śastāḥ ||
(Govinda-līlāmṛta: 4.43)

“Elated by the sight of the face
Of the beloved of their hearts,
Attracted by his exceedingly sweet, tender beauty,
And overwhelmed by abundant, elevated bhāva,
They of abounding auspiciousness [i.e., Rādhā and her sakhīs]
Delighted in the home of their lover.”

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āsvādayantaṁ ghṛta-pakvam annaṁ

āsvādayantaṁ ghṛta-pakvam annaṁ
sunarmabhis tān api hāsayantam |
ālokayantaṁ nayanāñcalena
rādhānanaṁ taṁ dadṛśur mudālyaḥ ||
(Govinda-līlāmṛta: 4.27)

“The sakhīs joyfully beheld him [i.e., Kṛṣṇa]
Relishing the food cooked in ghee,
Making them [i.e., Balarāma and his sakhās] also laugh with excellent jokes,
And beholding the face of Rādhā
From the corners of his eyes.”

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