punaḥ pulinam āgatya kalindyāḥ kṛṣṇa-bhāvanāḥ |
samavetā jaguḥ kṛṣṇaṁ tad-āgamana-kāṅkṣitāḥ ||
(Śrīmad Bhāgavatam: 10.30.44)
“After coming back to the shore of the Kālindī, they who were absorbed in thought of Kṛṣṇa [i.e., the gopīs] assembled and sang about Kṛṣṇa, longing for his return.”
tan-manaskās tad-alāpās tad-viceṣṭās tad-ātmikāḥ |
tad-guṇān eva gāyantyo nātmāgārāṇi sasmaruḥ ||
(Śrīmad Bhāgavatam: 10.30.43)
“Minds upon him, speaking about him, acting like him, and identifying as him, they sang of his qualities and did not remember their own houses.”
yasya śrīmac-caraṇa-kamale komale komalāpi
śrī-rādhoccair nija-sukha-kṛte sannayantī kucāgre |
bhītāpy ārād atha nahi dadhāty asya kārkaśya-doṣāt
sa śrī-goṣṭhe prathayatu sadā śeṣa-śāyī sthitiṁ naḥ ||
(Stavāvalī: Vraja-vilāsa-stava, 91)
“He whose beautiful, tender lotus feet
Śrī Rādhā intently raised for her own pleasure,
But even then became fearful
Because of the [imagined] fault of hardness
And did not hold atop the tips of her breasts
Although she is [most] tender [in figure]—
May [he,] Śeṣa-śāyī,
Extend to us
Eternal residence in beautiful Vraja.”
smared vṛndāvane ramye mohayantam anāratam |
govindaṁ puṇḍarīkākṣaṁ gopa-kanyāḥ sahasraśaḥ ||
ātmano vadanāmbhoja-preritākṣi-madhu-vratāḥ |
kāma-bāṇena vivaśāś ciram āśleṣaṇotsukāḥ ||
muktāhāra-lasat-pīnottuṅga-stana-bharānatāḥ |
srasta-dhammilla-vasanā mada-skhalita-bhāṣaṇāḥ ||
danta-paṅkti-prabhodbhāsi-spandamānādharāñcitāḥ |
vilobhayantīr vividhair vibhramair bhāva-garbhitaiḥ ||
(Śāradā-tilaka, following the Mṛtuñjaya-saṁhitā; cited in Hari-bhakti-vilāsa: 3.110–113, Bhakti Sandarbha: 286)
“Remember in joyful Vṛndāvana
Govinda of lotus eyes
Enchanting unceasingly
Thousands of gopa girls,
Their own bumblebees eyes directed
Towards the lotus of his face,
Captivated by arrows of kāma,
Long eager for his embraces,
Bowed by the weight of their full, raised breasts
Shining with pearl necklaces [draped over them],
Their chignons and garments disheveled,
Their speech wavering with passion,
Adorned with quivering lips
Shining with the splendor
Of their rows of teeth,
And alluring [him] with various amorous movements
Filled with bhāva.”
sva-dayita-nija-bhāvaṁ yo vibhāvya sva-bhāvāt
sumadhuram avatīrṇo bhakta-rūpena lobhāt |
jayati kanaka-dhāmā kṛṣṇa-caitanya-nāmā
harir iha yati-veśaḥ śrī-śacī-sūnur eṣaḥ ||
(Bṛhad Bhāgavatāmṛta: 1.1.3)
“Bearing a golden luster,
The name Kṛṣṇa Caitanya,
And the garb of an ascetic,
He who has descended here [amongst us]
With the form of a bhakta
Out of intense desire
After reflecting on the fine sweetness
Of the bhāva for himself
Of his own beloveds
In comparison to his own bhāva [for them]—
[He,] Hari, the Son of Śrī Śacī,
Triumphs!”
śrī-rādhikā-prabhṛtayo nitarāṁ jayanti
gopyo nitānta-bhagavat-priyatā-prasiddhāḥ |
yāsāṁ harau parama-sauhṛda-mādhurīṇāṁ
nirvaktum īṣad api jātu na ko’pi śaktaḥ ||
(Bṛhad Bhāgavatāmṛta: 1.2)
“The gopīs led by Śrī Rādhikā—
Whose extraordinary dearness
To Bhagavān is renowned,
And the sweetnesses
Of whose supreme affection for Hari
No one can ever describe even slightly—
Eternally triumph!”
jayati nija-padābja-prema-dānāvatīrṇo
vividha-madhurimābdhiḥ ko’pi kaiśora-gandhiḥ |
gata-parama-daśāntaṁ yasya caitanya-rūpād
anubhava-padam āptaṁ prema gopīṣu nityam ||
(Bṛhad Bhāgavatāmṛta: 1.1.1)
“Someone—
Who descended to bestow prema
For his own lotus feet,
Who is an ocean
Of various sweetnesses,
Who is fragrant with adolescence,
And whose everlasting prema for the gopīs,
Having attained the ultimate limit
Of the highest state,
Has reached the position of experience [for others]
Because of his form of Caitanya—
Triumphs!”
tadātvābhivyaktīkṛta-taruṇimārambha-rabhasaṁ
smita-śrī-nirdhūta-sphurad-amala-rākā-pati-madam |
darodañcat-pañcāśuga-nava-kalā-meduram idaṁ
murārer mādhuryaṁ manasi madirākṣīr madayati ||
(Bhakti-rasāmṛta-sindhu: 2.1.64)
“Filled with the delight of the commencement of presently manifested youth, possessed of the beauty of a mild smile which has crushed the pride of the spotless, shining lord of the night [i.e., the full moon], and enriched with fresh, mildly expressed arts of the bearer of five arrows [i.e., Kāmadeva], this mādhurya of Murāri maddens the minds of the madira-eyed [i.e., the gopīs, whose ravishing eyes elicit remembrance of the wagtail (madira)].”
tad-darśanāhlāda-vidhūta-hṛdrujo
manorathāntaṁ śrutayo yathā yayuḥ |
svair uttarīyaiḥ kuca-kuṅkumāṅkitair
acīkḷpann āsanam ātma-bandhave ||
(Śrīmad Bhāgavatam: 10.32.13)
“They whose heartache was cast away by the delight of his darśana, and who reached the end [i.e., complete fulfillment] of their desires like the Śrutis, fashioned a seat for their own bandhu with their own upper garments which were smeared with the kumkum from their breasts.”
atha asama-snehāḥ—
adhikaṁ priya-sakhyās tu harau tasyāṁ tatas tathā |
vahantyaḥ sneham asama-snehās tu dvividhā matāḥ ||
(Ujjvala-nīlamaṇi: 8.125)
“Now, those of unequal affection [are described]— Those of unequal affection are considered to be of two types: those who possess greater affection for their dear sakhī [i.e., their yūtheśvarī] than Hari, and those who possess greater affection for him than her.”
