Flutes

śriyaḥ kāntāḥ kāntaḥ parama-puruṣaḥ kalpa-taravo
drumā bhūmiś cintāmaṇi-gaṇa-mayī toyam amṛtam |
kathā gānaṁ nāṭyaṁ gamanam api vaṁśī priya-sakhī
cid-ānandaṁ jyotiḥ param api tad āsvādyam api ca ||
sa yatra kṣīrābdhiḥ sravati surabhībhyaś ca sumahān
nimeṣārdhākhyo vā vrajati na hi yatrāpi samayaḥ |
bhaje śvetadvīpaṁ tam aham iha golokam iti yaṁ
vidantas te santaḥ kṣiti‑virala‑cārāḥ katipaye ||
(Brahma-saṁhitā: 5.55–56; cited in Hari-bhakti-vilāsa: 5.143; Bṛhad Bhāgavatāmṛta: 2.7.94–95; Laghu Bhāgavatāmṛta: 1.5.500–501; Kṛṣṇa Sandarbha: 172, 177, 186; Prīti Sandarbha: 111; Caitanya-caritāmṛta: 2.14.227)

“That [place] where the lovers [alt., women] are Śrīs [i.e., resemblant of Lakṣmī], the beloved is the Supreme Puruṣa [i.e., he who is superior even to Nārāyaṇa and expands himself to reciprocate with every lover], the trees are desire-trees, the land is made of thought-jewels, the water is nectar, the speech is song, the movement is dance, the vaṁśī [i.e., flute] is a dear sakhī [i.e., is a friend to Kṛṣṇa as his constant companion and a friend to the residents of Vraja by making Kṛṣṇa’s pleasure and whereabouts known], the conscious, blissful, superb light is supremely relishable, an ocean of milk flows from the cows [i.e., where the cows become absorbed in the sound of the flute and yield unlimited milk], and where even the time [i.e., the time span] known as half of the most immense [i.e., half of the lifespan of Brahmā] or [the time span known as half of] the blink of the eye [i.e., an instant] does not pass [i.e., where the troublesome effects of time are absent and the residents are unaware of time on account of their absorption]—I worship [i.e., take shelter in] that Śvetadvīpa [lit., ‘white island’] which [only] a few sādhus in this world, who move about in seclusion on the earth [out of attachment to Kṛṣṇa and non-attachment to everything of the world; alt., who are extremely rare], know to be Goloka.”

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