Līlā

ity ataḥ kathitā nitya-priyā yādava-vallavāḥ

ity ataḥ kathitā nitya-priyā yādava-vallavāḥ |
eṣāṁ laukikavac ceṣṭā līlā mura-ripor iva ||
(Bhakti-rasāmṛta-sindhu: 2.1.296)

“Thus, the Yādavas and Vallavas [i.e., gopas] are said to be eternal dear ones [of Bhagavān Śrī Kṛṣṇa]. Their activity, like the līlā of Mura-ripu [i.e., Śrī Kṛṣna] is like that of the world [i.e., although supramundane, it resembles in certain respects activity of the world].”

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aho bhāgyam aho bhāgyaṁ nanda-gopa-vrajaukasām

aho bhāgyam aho bhāgyaṁ nanda-gopa-vrajaukasām |
yan mitraṁ paramānandaṁ pūrṇaṁ brahma sanātanam ||
(Śrīmad Bhāgavatam: 10.14.32)

“Aho! The fortune! Aho! The fortune of the residents of Chief Nanda’s Vraja, whose eternal friend is the Complete Brahman, the highest bliss!”

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Yugala-gītā

Twelve pairs of verses sung by the gopīs in separation from Śrī Kṛṣṇa

Excerpted from Śrīmad Bhāgavatam 10.35.1–26.

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kuñjād goṣṭhaṁ niśānte praviśati kurute dohanānnāśanādyāṁ

kuñjād goṣṭhaṁ niśānte praviśati kurute dohanānnāśanādyāṁ
prātaḥ sāyaṁ ca līlāṁ viharati sakhibhiḥ saṅgave cārayan gāḥ |
madhyāhne cātha naktaṁ vilasati vipine rādhayāddhāparāhne
goṣṭhaṁ yāti pradoṣe ramayati suhṛdo yaḥ sa kṛṣṇo’vatān naḥ ||
(Govinda-līlāmṛta: 1.4)

“At the end of night, from the kuñja he enters his homestead. In the early morning and evening, he performs līlās of milking [cows], eating food, and so forth. In the forenoon, he sports with friends while herding the cows. At midday and [mid-] night, he plays in full directly with Rādhā in the forest. In the afternoon, he returns to his homestead. In the evening, he delights his well-wishers. May he, Kṛṣṇa, protect us.”

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śrī-rādhā-prāṇa-bandhoś caraṇa-kamalayoḥ keśa-śeṣādy-agamyā

śrī-rādhā-prāṇa-bandhoś caraṇa-kamalayoḥ keśa-śeṣādy-agamyā
yā sādhyā prema-sevā vraja-carita-parair gāḍha-laulyaika-labhyā |
sā syāt prāptā yayā tāṁ prathayitum adhunā mānasīm asya sevāṁ
bhāvyāṁ rāgādhva-pānthair vrajam anucaritaṁ naityikaṁ tasya naumi ||
(Govinda-līlāmṛta: 1.3)

“The attainment of prema-sevā to the lotus feet of Śrī Rādhā’s Prāṇa-bandhu [i.e., Śrī Kṛṣṇa], which is incomprehensible to Brahmā, Śiva, Śeṣa, and others, and attainable only through intense hankering by those who are devoted to the conduct of [the gopīs’ of] Vraja—to now expound mental sevā to him, [which is] to be meditated upon by the followers of the path of rāga, by which this [attainment of prema-sevā] can be attained, I offer obeisance to his daily activity in Vraja.”

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tatrāpi gokule tasya mādhurī sarvato’dhikā

tatrāpi gokule tasya mādhurī sarvato’dhikā ||
caturdhā mādhurī tasya vraja eva virājate |
aiśvarya-krīḍayor veṇos tathā śrī-vigrahasya ca ||
tatra aiśvaryasya—
kutrāpy aśruta-pūrveṇa madhuraiśvarya-rāśinā |
sevyamāno haris tatra vihāraṁ kurute vraje ||
krīḍāyāḥ yathā pādme—
caritaṁ kṛṣṇa-devasya sarvam evādbhutaṁ bhavet |
gopāla-līlās tatrāpi sarvato’timanoharā ||
śrī-bṛhad-vāmane—
santi yadyapi me prājyā līlās tās tā manoharāḥ |
na hi jāne smṛte rāse mano me kīdṛśaṁ bhavet ||
veṇoḥ, yathā—
yāvatī nikhile loke nādānām asti mādhurī |
tāvatī vaṁśikā-nāda-paramāṇau nimajjati ||
cara-sthāvarayoḥ sāndra-paramānanda-magnayoḥ ||
bhaved dharma-viparyāso yasmin dhvanati mohane ||
mohanaḥ ko’pi mantro vā padārtho vādbhutaḥ paraḥ |
śruti-peyo’yam ity uktvā yatrāmuhyaś chivādayaḥ ||
cara-sthāvarayoḥ sāndra-paramānanda-magnayoḥ ||
bhaved dharma-viparyāso yasmin dhvanati mohane ||
śrī-vigrahasya, yathā—
asamānordhva-mādhurya-taraṅgāmṛta-vāridhiḥ |
jaṅgama-sthāvarollāsi-rūpo gopendra-nandanaḥ ||
yathā tantre—
kandarpa-koṭy-arbuda-rūpa-śobhā-
nīrājya-pādābja-nakhāñcalasya |
kutrāpy adṛṣṭa-śruta-ramya-kānter
dhyānaṁ paraṁ nanda-sutasya vakṣye ||
(Laghu-Bhāgavatāmṛta: 1.520, 526–526, 530–533, 538–539)

“Even therein [i.e., even in regard to the three abodes—Gokula, Mathurā, and Dvārakā], his [i.e., Śrī Kṛṣṇa’s] sweetness in Gokula is superior to all [i.e., to his sweetness in Mathurā and Dvārakā]. … Only in Vraja [i.e., Gokula] shines the fourfold sweetness of his power, play, flute, and beautiful figure. Regarding [his] power therein: ‘Being served by multitude of sweet powers unheard of before anywhere else, Hari sports there in Vraja.’ Regarding [his] play, as in Padma Purāṇa: ‘All of Kṛṣṇadeva’s activities can certainly be astonishing. Even among them, [however,] his līlās with the gopas and gopīs are the most charming of all [i.e., are more charming than his līlās as a king in Mathurā and Dvārakā].’ In Śrī Bṛhad Vāmana Purāna: ‘[Bhagavān:] Although I have many well-known charming līlās [e.g., the līlā of being tied around the belly by Yaśodā], when I remember the rāsa-līlā, I do not know what becomes of my mind.’ Regarding [his] flute, as follows: ‘All the sweetness of the sounds that exist throughout the entire world become engulfed in an atom of the sound of the flute. A reversal of the nature (dharma) of [all] mobile and stationary beings, who become absorbed in intense, paramount bliss, can occur when the enchanting flute resounds [i.e., mobile beings can become stationary, and stationary beings can become mobile].’ … Regarding [his] beautiful figure, as follows: ‘An ocean of nectar filled with waves of incomparable sweetness, the figure of the Son of the gopa’s king delights [all] mobile and stationary beings.’ As in the Tantra, ‘I will describe the supreme meditation on the Son of Nanda, the tips of the toenails of whose lotus feet are worthy of lustration by the beauty of the figures of crores and crores of Kandarpas [i.e., Kāmadevas], and whose pleasing luster is unseen and unheard of anywhere [else, i.e., including even in Mathurā and Dvārakā].’”

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ataḥ sarvato’pi sāndrānanda-camatkāra-kara-śrī-kṛṣṇa-prakāśe

ataḥ sarvato’pi sāndrānanda-camatkāra-kara-śrī-kṛṣṇa-prakāśe śrī-vṛndāvane’pi paramādbhuta-prakāśaḥ śrī-rādhayā yugalitas tu śrī-kṛṣṇa iti |
(Kṛṣṇa Sandarbha: 189)

“Therefore, even among all the intensely blissful and astonishing prakāśas (manifestations) of Śrī Kṛṣṇa, and even within [those found in] Śrī Vṛndāvana, the supremely wondrous prakāśa is that of Śrī Kṛṣṇa coupled with Śrī Rādhā.”

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brahmānanda haite pūrṇānanda līlā-rasa

brahmānanda haite pūrṇānanda līlā-rasa |
brahma-jñānī ākarṣiyā kare ātma-vaśa ||
brahmānanda haite pūrṇānanda kṛṣṇa-guṇa |
ataeva ākarṣaye ātmārāmera mana ||
(Caitanya-caritāmṛta: 2.17.137, 139)

“Līlā-rasa is full in bliss in comparison to the bliss of Brahman, attracts Brahma-jñānīs, and brings them under its own control. … Kṛṣṇa’s qualities are full in bliss in comparison to the bliss of Brahman and thus attract the minds of ātmārāmas [i.e., those who are (otherwise) satisfied within the self].”

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alaukika līlā ei parama nigūḍha

alaukika līlā ei parama nigūḍha |
viśvāse pāiye—tarke haya bahu-dūra ||
(Caitanya-caritāmṛta: 2.8.308)

“This otherworldly līlā is highly esoteric. With faith, it is attained. With tarka, it remains very far.”

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koṇenākṣṇaḥ pṛthu-ruciḥ mitho hāriṇā lihyamānāv

koṇenākṣṇaḥ pṛthu-ruciḥ mitho hāriṇā lihyamānāv
ekaikena pracura-pulakenopagūḍhau bhujena |
gaurī-śyāmau vasana-yugalaṁ śyāma-gauraṁ vasānau
rādhā-kṛṣṇau smara-vilasitoddāma-tṛṣṇau smarāmi ||
(Stava-mālā; attributed to Bṛhad-dhyāna: 1; cited in Daśa-ślokī-bhāṣya: 1.26)

“Lapping up one another
With the charming corners
Of their broad, brilliant eyes,
Embracing [one another]
With each of their arms horripilating profusely,
Bright and dark [in complexion],
Wearing pairs of garments dark and bright [in color]—
I remember Rādhā and Kṛṣṇa,
Of unbound desire
In the midst of their play of amour.”

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