kṛṣṇasya vṛndā-vipine’tra rādhayā
līlā anantā madhurāś cakāsati |
kṣaṇe kṣaṇe nūtana-nūtanāḥ śubhā
diṅ-mātram etan mayakā pradarśitam ||
(Govinda-līlāmṛta: 23.93)
“The līlā of Kṛṣṇa with Rādhā here in the forest of Vṛndā, endless and sweet, shines from moment to moment newer and newer in splendor. A mere indication of this has been shown by me.”
tatas te bhojayitvānyā vayasyā dāsikā api |
sa-gaṇaiḥ saha saṁhṛṣṭaiḥ sveśā-śeṣānnam ādatuḥ ||
(Govinda-līlāmṛta: 20.74)
“Thereafter, they [i.e., Tulasī and Rūpa Mañjarī] fed their contemporaries and servants and then with their companions delightedly ate their Īśā’s [i.e., Rādhā’s] remnants.”
ramaṇa-kavala-śiṣṭaṁ san-mṛṇālaṁ marālyaḥ
kiśalaya-kulam eṇyaḥ śrī-marandaṁ bhramaryaḥ |
amṛtam iva cakroyaś caindavaṁ rādhikādyā
mumudur adhikam annaṁ prāsya kṛṣṇāvaśiṣṭam ||
(Govinda-līlāmṛta: 20.71)
“Rādhikā and her companions felt abundant delight eating the remnants of Kṛṣṇa’s food just as female swans do by eating morsels of the remnants of fine lotus stems left by their husbands, deer do by eating young shoots, bees do by eating bright flower nectar, and cakorīs do by drinking the moon’s nectar.”
praṇayi-jana-visṛṣṭaṁ śrī-harer bhukta-śiṣṭaṁ
tad-adhara-madhu-miṣṭaṁ tat-kareṇābhimṛṣṭam |
nija-nikhila-gaṇeṣṭaṁ rādhayā netra-dṛṣṭaṁ
mitam api ca tad āsīd akṣayaṁ vaṇṭane’nnam ||
(Govinda-līlāmṛta: 20.70)
“Although scant, as it was served, the food became [i.e., was felt to be] inexhaustible, since it was distributed by beloved friends [i.e., Tulasī and Kastūrī], it was the remnants of Śrī Hari, it was sweetened by the nectar from his lips, it was handled by his hand, it was desired by her [Rādhā’s] entire party, and it was glanced upon by Rādhā’s eyes.”
vikrīḍitaṁ vraja-vadhūbhir idaṁ ca viṣṇoḥ
śraddhānvito’nuśṛṇuyād atha varṇayed yaḥ |
bhaktiṁ parāṁ bhagavati pratilabhya kāmaṁ
hṛd-rogam āśv apahinoty acireṇa dhīraḥ ||
(Śrīmad Bhāgavatam: 10.33.39)
“One endowed with śraddhā who shall hear about or describe this extraordinary play and so forth of Viṣṇu with the ladies of Vraja attains superlative bhakti to Bhagavān, quickly casts off the heart disease of kāma, and without delay becomes steadfast.”
tad dhi tat-tad-vraja-krīḍā-dhyāna-gāna-pradhānayā |
bhaktyā sampadyate preṣṭha-nāma-saṅkīrtanojjvalam ||
(Bṛhad Bhāgavatāmṛta: 2.5.218)
“That [i.e., the prema that leads to attainment of the Beloved, one’s Iṣṭa-deva, in Goloka], bright with saṅkīrtana of the names of the Beloved, is certainly manifested through bhakti in which meditation on and singing of the [Beloved’s] various acts of play in Vraja are primary.”
kair api prema-vaivaśya-bhāgbhir bhāgavatavottamaiḥ |
adyāpi dṛśyate kṛṣṇaḥ krīḍan vṛndāvanāntare ||
(Laghu-bhāgavatāmṛta: 1.5.392)
“Even by some highly elevated Bhāgavatas who are overwhelmed by prema, Kṛṣṇa is seen playing in Vṛndāvana still today.”
pītvā mukunda-mukha-sāragham akṣi-bhṛṅgais
tāpaṁ jahur viraha-jaṁ vraja-yoṣito’hni |
tat satkṛtiṁ samadhigamya viveśa goṣṭhaṁ
savrīḍa-hāsa-vinayaṁ yad apāṅga-mokṣam ||
(Śrīmad Bhāgavatam: 10.15.43; cited in Prīti Sandarbha: 315)
“Drinking the honey from the face of Mukunda with the bees of their eyes, the women of Vraja gave up the sorrow produced by separation during the day. Accepting their excellent reception in the form of casting sidelong glances with bashful smiles and modesty, he entered his abode.”
taṁ gorajaś-churita-kuntala-baddha-barha-
vanya-prasūna-rucirekṣaṇa-cāru-hāsam |
veṇum kvaṇantam anugair upagīta-kīrtiṁ
gopyo didṛkṣita-dṛśo’bhyagaman sametāḥ ||
(Śrīmad Bhāgavatam: 10.15.42)
“The assembled gopīs came forward, their eyes desiring to see him playing the flute with charming glances and a lovely smile as his glories are sung by his companions and his hair bound with a peacock feather and forest flowers is covered with dust raised by the cows.”
śrī-rūpa-darśita-diśā likhitāṣṭa-kālyā
śrī-rādhikeśa-kṛta-keli-tatir mayeyam |
sevāsya yogya-vapuṣāniśam atra cāsyā
rāgādhva-sādhaka-janair manasā vidheyā ||
(Govinda-līlāmṛta: 23.94)
“This profusion of play performed by Śrī Rādhikā’s Īśa throughout the eight times [of the day] has been written by me following the direction shown [to me] by Śrī Rūpa. Sevā to him [i.e., Śrī Kṛṣṇa] and to her [i.e., Śrī Rādhikā] herein [i.e., within this līlā throughout the eight times of the day, or, here in Śrī Vṛndāvana] is to be performed continuously by sādhakas on the path of rāga with a befitting form within the mind.”
