yuvatīnāṁ yathā yūni yūnāṁ ca yuvatau yathā |
mano’bhiramate tadvan mano’bhiramatāṁ tvayi ||
(Padma Purāṇa: 6.128.258; cited in Hari-bhakti-vilāsa: 8.437; Bhakti-rasāmṛta-sindhu: 1.2.153; Bhakti Sandarbha: 217)
“As the minds of young ladies delight in a young man, and the minds of young men delight in a young lady, so may my mind delight in you.”
tat-tad-viśeṣo nirvācyo’nanta-śaktyāpi nāparaḥ |
mahārti-janake tasmin ko vā dhīmān pravartate ||
(Bṛhad Bhāgavatāmṛta: 2.6.191)
“Further detail about all of that is not effable even with Ananta’s [alt., endless] śakti. And what intelligent person pursues that which is a cause of great heartache?”
tava kṛṣṇa keli-muralī
hitam ahitaṁ ca sphuṭaṁ vimohayati |
ekaṁ sudhormi-suhṛdā
viṣa-viṣameṇāparaṁ dhvaninā ||
(Stava-mālā: Govinda-virudāvalī: 38)
“O Kṛṣṇa!
Your play-flute vividly bewilders
The well-disposed and the ill-disposed,
One [i.e., the well-disposed] with a sound
That is friendly like a wave of nectar [and causes one to faint out of bliss],
And the other [i.e., the ill-disposed] with a sound
That is dreadful like poison [and causes one to faint out of fear].”
sambhrāntaiḥ saṣaḍ-aṅga-pātam abhito vedair mudā vanditā
sīmantopari gauravād upaniṣad-devībhir apy arpitā |
ānamraṁ praṇavena ca praṇayato hṛṣṭātmanābhiṣṭutā
mṛdvī te muralī-rutir mura-ripo śarmāṇi nirmātu naḥ ||
(Stava-mālā: Govinda-virudāvalī: 37)
“Bowed to on all sides by the reverent Vedas
Accompanied by [their] six limbs,
Placed out of veneration atop the part [in the hair]
Even by the devīs of the Upaniṣads,
And highly praised out of admiration
By bowing praṇava [i.e., the syllable Om] with a rejoicing mind—
O Enemy of Mura—
May the gentle sound of your flute
Create delights for us.”
raṇati hare tava veṇau
nāryo danujāś ca kampitāḥ khinnāḥ |
vanam anapekṣita-dayitāḥ
karabālān projjhya dhāvanti ||
(Stava-mālā: Govinda-virudāvalī: 20)
“O Hari!
When your flute resounds,
Women [i.e., the gopīs] begin trembling and perspiring [out of love (rati)],
Become unaware of their husbands,
Drop the hair in their hands [they were braiding],
And run to the forest [to meet you];
Asuras also begin trembling and perspiring [out of fear of death],
Become unaware of their wives,
Drop the swords in their hands,
And run to the forest [to hide from you].”
buddhīnāṁ parimohanaḥ kila hriyām uccāṭanaḥ stambhano
dharmodagra-bhiyāṁ manaḥ-karaṭināṁ vaśyatva-niṣpādanaḥ |
kālindī-kalahaṁsa hanta vapuṣām ākarṣaṇaḥ subhruvāṁ
jīyād vaiṇava-pañcama-dhvanimayo mantrādhirājas tava ||
(Stava-mālā: Govinda-virudāvalī: 12)
“O Swan [i.e., O Frolicker] on the Kālindī!
Beguiling the thoughts,
Causing the abandonment of the shyness,
Paralyzing the mighty fear on account of dharma,
Accomplishing the subjugation of the elephant-like minds,
And drawing near the bodies
Of they of fine brows [i.e., the gopīs],
May the emperor of mantras
Constituted of the fifth note of your flute
Triumph!”
tava muralī-dhvanir amarī-
kāmāmbudhi-vṛddhi-śubhrāṁśuḥ |
acaṭula-gokula-kulajā-
dhariyāmbudhi-pāna-kumbhajo jayati ||
(Stava-mālā: Govinda-virudāvalī: 4)
“The sound of your flute—
The bright-rayed moon
For swelling the ocean
Of the ladies of Svarga’s desire,
The Agastya for drinking the ocean
Of the composure of the unwavering noble ladies of Gokula—
Triumphs!”
adhokṣajālambham ihāśubhātmanaḥ
śarīriṇaḥ saṁsṛti-cakra-śātanam |
tad brahma-nirvāṇa-sukhaṁ vidur budhās
tato bhajadhvaṁ hṛdaye hṛd-īśvaram ||
(Śrīmad Bhāgavatam: 7.7.37)
“The wise know the impure mind’s contact with Adhokṣaja [i.e., Bhagavān] to be destructive of the cycle of saṁsāra for an embodied being in this world and to be [inclusive of] the bliss of immersion (nirvāṇa) in Brahman. Therefore, you all should worship the Lord of the heart in the heart.”
ataḥ kṣamasvācyuta me rajo-bhuvo
hy ajānatas tvat-pṛthag-īśa-māninaḥ |
ajāvalepāndhatamo’ndha-cakṣuṣa
eṣo’nukampyo mayi nāthavān iti ||
(Śrīmad Bhāgavatam: 10.14.10; cited in Bhakti-rasāmṛta-sindhu: 2.4.24)
“Therefore, O Acyuta, forgive me, born of rajas, [thus] ignorant, [thus] possessed of eyes blinded by the utter darkness of the pride of being ‘the unborn one’ [i.e., the emanator of the universe], and [thus] possessed of the conceit of being a lord independent of you, [considering me in the following way,] ‘He is possessed of a master [i.e., he is a servant] in relation to me and [thus] a fit object of [my] favor.’”
ākṛṣyamāṇe vasane draupadyā cintitā hariḥ |
govinda dvārakā-vāsin kṛṣṇa gopī-jana-priya ||
kauravaiḥ paribhūtāṁ māṁ kiṁ na jānāsi keśava |
he nātha he ramānātha vrajanāthārti-nāśana |
kauravārṇava-magnāṁ mām uddharasva janārdana ||
kṛṣṇa kṛṣṇa mahāyogin viśvātman viśva-bhāvana |
prapannāṁ pāhi govinda kuru-madhye’vasīdatīm ||
ity anusmṛtya kṛṣṇaṁ sā hariṁ tribhuvaneśvaram |
prārudad duḥkhitā rājan mukham ācchādya bhāminī ||
yājñasenyā vacaḥ śrutvā kṛṣṇo gahvarito’bhavat |
tyaktvā śayyāsanaṁ padbhyāṁ kṛpāluḥ kṛpayābhyagāt ||
kṛṣṇaṁ ca viṣṇuṁ ca hariṁ naraṁ ca
trāṇāya vikrośati yājñasenī |
tatas tu dharmo’ntarito mahātmā
samāvṛṇod vai vividhaiḥ suvastraiḥ ||
ākṛṣyamāṇe vasane draupadyās tu viśāṁpate |
tad-rūpaṁ aparaṁ vastraṁ prādurāsīd anekaśāḥ ||
nānā-rāga-virāgāṇi vasanān yatha vai prabho |
prādurbhavanti śataśo dharmasya paripālanāt ||
tato halahalā-śabdas tatrāsīd ghora-nihsvanaḥ |
tad-adbhutatamaṁ loke vīkṣya sarve mahībhṛtaḥ |
śaśaṁsur draupadīṁ tatra kutsanto dhṛtarāṣṭrajam ||
(Mahābhārata: 2.68.41–49)
“Hari was thought of by Draupadī as her cloth was being pulled [off of her body by Duḥśāsana on the order of Duryodhana], ‘O Govinda! O Resident of Dvārakā! O Kṛṣṇa! O Beloved of the gopīs! Do you not know I am being humiliated by the Kauravas. O Keśava! O Lord! O Lord of Lakṣmī! O Lord of Vraja! O Destroyer of distress! Save I who am drowning in the ocean of the Kauravas! O Janārdana! O Kṛṣṇa! O Kṛṣṇa! O Supreme Yogī! O Soul of the world! O Origin of the world! Please protect I who have taken shelter [in you] and am coming undone in the midst of the Kurus, O Govinda!’ In this way constantly remembering Kṛṣṇa, Hari, the Lord of the three worlds, this beautiful woman, distressed, cried aloud, covering her face, O king. Hearing the words of Yājñasenī [i.e., Draupadī], Kṛṣṇa became absorbed. Leaving his couch and seat, the Compassion One compassionately came [there] on foot. Yājñasenī cried out to Kṛṣṇa, to Viṣṇu, to Hari, to Nara, for deliverance. Then, concealed [from view], Dharma, the Supreme Self, indeed completely covered [her] with various excellent clothes. As Draupadī’s cloth was being pulled, O king, another similar cloth appeared many times. As clothes of various colors and tones appeared by the hundreds on account of [Draupadī’s] apt observance of dharma, so the sound of applause—an awe-inspiring reverberation—[also] arose there. Seeing this paramount wonder in the world [i.e., seeing that Draupadī was miraculously protected from being disrobed], all the kings there praised Draupadī and reproached the son of Dhṛtarāṣṭra [i.e., Duryodhana].”
