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guṇaiḥ svair hīnā me yadapi kavitā nātimadhurā

guṇaiḥ svair hīnā me yadapi kavitā nātimadhurā
satāṁ svādyāthāpy acyuta-guṇa-yutatvena bhavitā |
ayaḥ-śastrī spṛṣṭā mṛgayu-gṛha-gā sparśa-maṇinā
suvarṇatvaṁ prāptā bhavati mahatāṁ bhūṣaṇa-kṛte ||
(Govinda-līlāmṛta: 16.5)

[On the order of Vṛndā following the indication of Rādhā, a parrot begins to speak in praise of Kṛṣṇa:] “Although my poetry is deficient in its own attributes and not very sweet, still it shall be relishable to sādhus because of it being endowed with [descriptions of] the qualities of Acyuta, since [even] an iron knife situated in the home of a hunter that has been touched by a touchstone and attained the state of being golden becomes suitable for decorating a great person.”

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vaśam alpikayāpi sevayāmuṁ

vaśam alpikayāpi sevayāmuṁ
vihite’py āgasi duḥsahe smitāsyam |
para-duḥkha-lave’pi kātaraṁ me
harim udvīkṣya manas tanoti tṛṣṇām ||
(Ujjvala-nīlamaṇi: 10.4)

“Observing Hari captivated by even a little service, with a smiling face even when an intolerable offense is committed [against him], and distressed by even very slight suffering in another, my mind thirsts [for him].”

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sarvārthināṁ bāḍham abhīṣṭa-pūrtyā

sarvārthināṁ bāḍham abhīṣṭa-pūrtyā
vyarthīkṛtāḥ kaṁsa-nisūdanena |
hriyeva cintāmaṇi-kāmadhenu-
kalpa-drumā dvāravatīṁ bhajanti ||
(Bhakti-rasāmṛta-sindhu: 2.1.124)

“Made useless by the Enemy of Kaṁsa’s abounding fulfillment of all seekers’ desires, thought-jewels, desire-cows, and desire-trees serve Dvārakā as though embarrassed.”

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advaita-vīthī-pathikair upāsyāḥ

advaita-vīthī-pathikair upāsyāḥ
svānanda-siṁhāsana-labdha-dīkṣāḥ |
śaṭhena kenāpi vayaṁ haṭhena
dāsī-kṛtā gopa-vadhū-viṭena ||
(Bilvamaṅgala Ṭhākura; cited in Bhakti-rasāmṛta-sindhu: 3.1.44; Caitanya-caritāmṛta: 2.10.178, 2.24.133)

“We, who were worshipped by the followers of the path of non-dualism (advaita) and consecrated on the throne of the bliss of the self, have been converted into a servant deceitfully and forcibly by some paramour of cowherd men’s wives.”

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santv avatārā bahavaḥ paṅkaja-nābhasya sarvato-bhadrāḥ

santv avatārā bahavaḥ paṅkaja-nābhasya sarvato-bhadrāḥ |
kṛṣṇād anyaḥ ko vā latāsv api prema-do bhavati ||
(Bilvamaṅgala Ṭhākura; cited in Laghu Bhāgavāmṛta: 1.5.37; Caitanya-caritāmṛta: 1.3.27)

“There may be many all-auspicious avatāras of he of lotus-navel [i.e. Bhagavān], but who other than Kṛṣṇa is the bestower of prema upon even creepers?”

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sarvādbhuta-camatkāra-līlā-kallola-vāridhiḥ

sarvādbhuta-camatkāra-līlā-kallola-vāridhiḥ
atulya-madhura-prema-maṇḍita-priya-maṇḍalaḥ |
tri-jagan-mānasākarṣi-muralī-kala-kūjitaḥ
asamānordhva-rūpa-śrī-vismāpita-carācaraḥ ||
līlā premṇā priyādhikyaṁ mādhuryaṁ veṇu-rūpayoḥ |
ity asādhāraṇaṁ proktaṁ govindasya catuṣṭayam ||
­(Bhakti-rasāmṛta-sindhu: 2.1.41–43)

“[Kṛṣṇa is:] He who is an ocean of waves of līlā that are astounding and amazing to all; (2) he who has a circle of dear ones adorned with incomparable sweet prema; (3) he the melodious coos of whose flute are attractive to the hearts of [everyone throughout] the three worlds; (4) he by the beauty of whose unequalled and unsurpassed figure [all] moving and inert beings are enchanted. (1) Līlā, (2) a superiority with respect to dear ones by virtue of [their superlative] prema, (3–4) the sweetness (mādhurya) of his flute and of his figure—in this way the four extraordinary qualities of Govinda [found in no other form of Śrī Bhagavān] are stated.”

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kaiśora-mādhurya-bharollasac-chrī

kaiśora-mādhurya-bharollasac-chrī-
gātrābhra-kānty-ujjvalitākhilāśaḥ |
tatratya-nitya-priya-loka-citta-
grāhyādbhutāneka-mahattva-sindhuḥ ||
(Bṛhad Bhāgavatāmṛta: 2.6.59)

“He shining with an abundance of the mādhurya of adolescence by whom all directions are illuminated with the cloud-like luster of his brilliant figure, he who is an ocean of numerous, astonishing greatnesses perceptible eternally to the minds of his beloveds situated there [i.e., in Śrī Goloka] … ”

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phullendīvara-kāntim indu-vadanaṁ barhāvataṁsa-priyaṁ

phullendīvara-kāntim indu-vadanaṁ barhāvataṁsa-priyaṁ
śrīvatsāṅkam udāra-kaustubha-dharaṁ pītāmbaraṁ sundaram |
gopīnāṃ nayanotpalārcita-tanuṁ go-gopa-saṅghāvṛtaṁ
govindaṁ kala-veṇu-vādana-paraṁ divyāṅgabhūṣaṁ bhaje||
(Śāradākāra; cited in Hari-bhakti-vilāsa: 1.3.114; Padyāvalī: 46; Kṛṣṇa Sandarbha: 106; Gaura-govindārcana-paddhati: 142)

“Blossoming blue-lotus luster,

A moon face,
A dear peacock-feather crest [atop his crown],
Marked with the śrīvatsa,
Wearing the charming Kaustubha,
Clad in yellow garments,
Charming,
His figure worshipped by the water lilies of the gopīs’ eyes,
Surrounded by a drove of cows and cowherds,
Sublime softly playing the flute,
Replete divine body ornaments,
I meditate on Govinda [in this way].”

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kastūrī-tilakaṁ lalāṭa-paṭale vakṣaḥ-sthale kaustubhaṁ

kastūrī-tilakaṁ lalāṭa-paṭale vakṣaḥ-sthale kaustubhaṁ
nāsāgre vara-mauktikaṁ kara-tale veṇuṁ kare kaṅkaṇam |
sarvāṅge hari-candanaṁ sulalitaṁ kaṇṭhe ca muktāvaliṁ
gopa-strī-pariveṣṭito vijayate gopāla-cūḍāmaṇiḥ ||
(Gopāla-sahasra-nāma-stotram)

“Charming with a musk tilak mark on his forehead, the kaustubha gem on his chest, an excellent pearl on the tip of his nose, the flute in his hands, bracelets on his wrists, yellow sandalwood paste all over his body, and a string of pearls around his neck, may the Crest Jewel of the gopas, surrounded by the gopīs, triumph!”

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barhāpīḍaṁ naṭavara-vapuḥ karṇayoḥ karṇikāraṁ

barhāpīḍaṁ naṭavara-vapuḥ karṇayoḥ karṇikāraṁ
bibhrad vāsaḥ kanaka-kapiśaṁ vaijayantīṁ ca mālām |
randhrān veṇor adhara-sudhayā pūrayan gopa-vṛndair
vṛndāraṇyaṁ sva-pada-ramaṇaṁ prāviśad gīta-kīrtiḥ ||
(Śrīmad Bhāgavatam: 10.21.5)

“Wearing a peacock-feather chaplet, a [blue] karṇikāra flower on his ears, golden-yellow garments, and a victory garland, the best of actors [i.e., Śrī Kṛṣṇa] filled the holes of his flute with the nectar of his lips and entered the forest of Vraja, whose delight is his feet, as the gopas sang his glories.”

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