Hari-nāmāmṛta-vyākaraṇam – Page 5

sattā-vṛddhi-viśuddhi-siddhi-śayane sthānāsane bhāsane

sattā-vṛddhi-viśuddhi-siddhi-śayane sthānāsane bhāsane
lajjā-jīvana-rodane ca hadane nṛtye vilāse krudhi |
trāsa-syanda-nivāsa-śoṣa-maraṇa-spardhā-vihāreṣv api
jñāto dhātur akarmakaḥ kṣaya-madodvega-prakampeṣv api ||
(Unknown source; cited in the Vṛtti on Hari-nāmāmṛta-vyākaraṇa: 397)

“A dhātu is known as akarmaka (intransitive) when it is in the sense of sattā (“existing”), vṛddhi (“increasing”), viśuddhi (“becoming pure”), siddhi (“becoming fulfilled”), śayana (“sleeping”), sthāna (“standing, remaining”), āsana (“sitting”), bhāsana (“shining”), lajjā (“being shy”), jīvana (“living”), rodana (“crying”), hadana (“evacuating”), nṛtya (“dancing”), vilāsa (“playing”), krudh (“being angry”), trāsa (“being afraid”), syanda (“flowing”), nivāsa (“residing”), śoṣa (“becoming dry”), maraṇa (“dying”), spardhā (“being envious, being competitive”), vihāra (“wandering”), kṣaya (“waning”), mada (“being delighted, becoming intoxicated”), udvega (“becoming agitated”), and prakampa (“trembling”) [as well as jāgaraṇa (“remaining awake”), dhāvana (“running”), hasana (“smiling, laughing”), janana (“being born”), and so on].”

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yasmin yato yarhi yena ca yasya yasmād

yasmin yato yarhi yena ca yasya yasmād
yasmai yathā yad uta yas tv aparaḥ paro vā |
bhāvaḥ karoti vikaroti pṛthak svabhāvaḥ
sañcoditas tad akhilaṁ bhavataḥ svarūpam ||
(Śrīmad Bhāgavatam: 7.9.20; cited in the Amṛta-ṭīkā to Hari-nāmāmṛta-vyākaraṇa: Kāraka-prakaraṇa, Maṅgalācaraṇa)

“That in which, because of which, at which [time], by which, of which, from which, for which, with which [manner], and even which a latter or former entity of distinct nature [from you] who is impelled [by you] creates or transforms is all your nature.”

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yatra yena yato yasya yasmai yad yad yathā yadā

yatra yena yato yasya yasmai yad yad yathā yadā |
syād idaṁ bhagavān sākṣāt pradhāna-puruṣeśvaraḥ ||
(Śrīmad Bhāgavatam: 10.85.4; cited in the Amṛta-ṭīkā to Hari-nāmāmṛta-vyākaraṇa: Kāraka-prakaraṇa, Maṅgalācaraṇa)

“In which, by which, from which, of which, for which, with which, and when whatever may be—this is [all simply] Bhagavān himself [i.e., everything in the world is an expression of Bhagavān], the Īśvara of pradhāna and the Puruṣa.”

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yaḥ kartā karma karaṇaṁ sampradānam aśeṣataḥ

yaḥ kartā karma karaṇaṁ sampradānam aśeṣataḥ |
apādānādhikaraṇe tat-sambandho bhaved iha ||
(Hari-nāmāmṛta-vyākaraṇa: Kāraka-prakaraṇa, Maṅgalācaraṇa)

[Translation based on the Amṛta-ṭīkā presenting the meaning related to grammar:] “Here [i.e., in this prakaraṇa] the relationship [with the kriyā (verb)] of the agent (kartā), object (karma), instrument (karaṇa), beneficiary (sampradānam), source (āpādāna), and substratum (adhikaraṇa) [i.e., of all six kārakas] shall be [presented] in full.”
[Translation based on the Amṛta-ṭīkā presenting the meaning related to Bhagavān:] “May a relationship with he who is the agent (kartā), object (karma), instrument (karaṇa), beneficiary (sampradānam), source (āpādāna), and substratum (adhikaraṇa) in all respects [i.e., by means of his various forms] be manifest here [i.e., in me].”
[Translation based on the Amṛta-ṭīkā presenting a second meaning related to Bhagavān:] “Here [i.e., in this world] let [only] a relationship with he who in all respects is the agent (kartā), object (karma), instrument (karaṇa), beneficiary (sampradānam), source (āpādāna), and substratum (adhikaraṇa) be manifest [to me].”

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pravartante kriyāḥ sarvā yato’rvācīna-vastuṣu

pravartante kriyāḥ sarvā yato’rvācīna-vastuṣu |
hares tasyaiva līlās tā nirūpyante yathā-mati ||
(Hari-nāmāmṛta-vyākaraṇa: Ākhyāta-prakaraṇa, 1)

“Hari from whom all kriyās [i.e., actions and verbs, that is, words that refer to actions] proceed into the midst of modern-day objects [i.e., worldly objects]—those līlās of his alone are described [here in this section (prakaraṇa) about verbs by me] according to my understanding.”

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ya ekaḥ sarva-rūpāṇāṁ sarva-nāmnāṁ tathāśrayaḥ

ya ekaḥ sarva-rūpāṇāṁ sarva-nāmnāṁ tathāśrayaḥ |
tasya viṣṇoḥ padaṁ sarvaṁ viṣṇubhaktyā nirūpyate ||
(Hari-nāmāmṛta-vyākaraṇa: Nāma-prakāraṇa, 1)

[General meaning:] “All the abodes of Viṣṇu, he who is the only shelter of all forms and all names, are perceived through Viṣṇu-bhakti.”
 [Grammatical meaning:] “All padas [i.e., inflected words] are produced through [application of] a viṣṇubhakti [i.e., a suffix] and related to Viṣṇu, he who is the only shelter of all nāmas [i.e., of all nominal bases, or, of all pronouns] and all forms [i.e., of all the forms of inflected words].”

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yad idaṁ sandhi-nirmāṇaṁ varṇānām ārabhe mudā

yad idaṁ sandhi-nirmāṇaṁ varṇānām ārabhe mudā |
tena me kṛṣṇa pādābje manaḥ-sandhir vidhīyatām ||
(Hari-nāmāmṛta-vyākaraṇa: Sandhi-prakāraṇa, 1)

“By this formulation of [rules for] sandhi [i.e., combination] of phonemes which I begin with joy, O Kṛṣṇa, may my mind be brought into sandhi [i.e., connection] with your lotus feet.”

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vyākaraṇe maru-nīvṛti jīvana-lubdhāḥ sadāgha-saṁvignāḥ

vyākaraṇe maru-nīvṛti jīvana-lubdhāḥ sadāgha-saṁvignāḥ |
hari-nāmāmṛtam etat pibantu śatadhāvagāhantām ||
(Hari-nāmāmṛta-vyākaraṇa: Maṅgalācaraṇa, 3)

“May those who are constantly afflicted by adversity and longing for water in the desert of grammar drink this nectar of Hari’s names and plunge [therein] a hundred times.”

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āhata-jalpita-jaṭitaṁ dṛṣṭvā śabdānuśāsana-stomam

āhata-jalpita-jaṭitaṁ dṛṣṭvā śabdānuśāsana-stomam |
hari-nāmāvali-valitaṁ vyākaraṇaṁ vaiṣṇavārtham ācinmaḥ ||
(Hari-nāmāmṛta-vyākaraṇa: Maṅgalācaraṇa, 2)

“After reviewing a multitude of manuals on words [i.e., grammar textbooks] entangled with unfounded statements, we are compiling a grammar for the Vaiṣṇavas inset with a series of Hari’s names.”

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kṛṣṇam upāsitum asya srajam iva nāmāvaliṁ tanavai

kṛṣṇam upāsitum asya srajam iva nāmāvaliṁ tanavai |
tvaritaṁ vitared eṣā tat-sāhityādijāmodam ||
(Hari-nāmāmṛta-vyākaraṇa: Maṅgalācaraṇa, 1)

“To worship Kṛṣṇa, let me compose a series of his names like a garland [for him]. This [series of names] will quickly bestow the delight produced by his association and so forth [alt., the delight produced by literature and so forth related to him].”

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