tatratyaṁ yac ca tad duḥkhaṁ tat sarva-sukha-mūrdhasu |
sa narīnarti śokaś ca kṛtsnānanda-bharopari ||
(Bṛhad Bhāgavatāmṛta: 2.6.367)
“The sorrow existing there [i.e., in Goloka] dances vigorously atop the heads of all forms of happiness, and the grief [existing there] dances vigorously above the multitude of all forms of bliss.”
tathāpi tṛptiḥ kasyāpi naivodeti kadācana |
prema-tṛṣṇā ca vividhā dainya-mātā vivardhate ||
(Bṛhad Bhāgavatāmṛta: 2.6.213)
“Still [i.e., even though every Vraja-vāsīs feels that they alone are the most dear to Kṛṣṇa, acts as such with Kṛṣṇa, and observes Kṛṣṇa genuinely reciprocate with them as such], satiation never arises within even one of them. [Rather,] The thirst produced by [their] prema, which is variegated and the mother of dainya (humility), increases [continuously].”
bhakteḥ phalaṁ paraṁ prema tṛpty-abhāva-svabhāvakam |
avāntara-phaleṣv etad ati-heyaṁ satāṁ matam ||
(Bṛhad Bhāgavatāmṛta: 2.2.210)
“The supreme result of bhakti is prema, the nature of which is the absence of satiation. Among the secondary results [of bhakti], this [i.e., the state of being an ātmārāma] is considered by sādhus to be shunned completely.”
tad dhi tat-tad-vraja-krīḍā-dhyāna-gāna-pradhānayā |
bhaktyā sampadyate preṣṭha-nāma-saṅkīrtanojjvalam ||
(Bṛhad Bhāgavatāmṛta: 2.5.218)
“That [i.e., the prema that leads to attainment of the Beloved, one’s Iṣṭa-deva, in Goloka], bright with saṅkīrtana of the names of the Beloved, is certainly manifested through bhakti in which meditation on and singing of the [Beloved’s] various acts of play in Vraja are primary.”
