Rūpa Gosvāmī

aṅga-śyāmalima-cchaṭābhir abhito mandīkṛtendīvaraṁ

aṅga-śyāmalima-cchaṭābhir abhito mandīkṛtendīvaraṁ
jāḍyaṁ jāguḍa-rociṣāṁ vidadhataṁ paṭṭāmbarasya śriyā |
vṛndāraṇya-vilāsinaṁ hṛdi lasad-dāmābhir āmodaraṁ
rādhā-skandha-niveśitojjvala-bhujaṁ dhyāyema dāmodaram ||
(Stava-mālā)

“He by whom blue lotuses are belittled
With the radiance of the swarthiness of his limbs,
He by whom the splendors of saffron are rendered dull
With the loveliness of his silken garments,
He who sports in the forest of Vṛndā,
He who is fragrant with shining garlands across his chest,
He whose lustrous arm is set on Rādhā’s shoulder—
Let us meditate on Dāmodara.”

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jayati jana-nivāso devakī-janma-vādo

jayati jana-nivāso devakī-janma-vādo
yadu-vara-pariṣat svair dorbhir asyann adharmam |
sthira-cara-vṛjina-ghnaḥ susmita-śrī-mukhena
vraja-pura-vanitānāṁ vardhayan kāma-devam ||
(Śrīmad Bhāgavatam: 10.90.48; cited in Hari-bhakti-vilāsa: 3.23; Bṛhad Bhāgavatāmṛta: 2.7.154; Durgama-saṅgamanī-ṭīkā on Bhakti-rasāmṛta-sindhu: 1.1.1; Laghu Bhāgavatāmṛta: 1.5.430; Kṛṣṇa Sandarbha: 63, 116, 136, 182; Prīti Sandarbha: 52; Caitanya-caritāmṛta: 2.13.79; Ānanda-candrikā-ṭīkā on Ujjvala-nīlamaṇi: 15.185)

“He who is the abode of all beings [alt., he whose abode is all beings],
He whose birth is said to be from Devakī,
He whose retinue is the best of the Yadus,
He who destroys adharma with his own arms,
He who dispels the distress of the stationary and the moving—
Enkindling divine desire in the women of the abode of Vraja
With his beautiful, sweetly smiling face—
Triumphs!”

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lokātītam ajāṇḍa-koṭigam api traikālikaṁ yat sukhaṁ

lokātītam ajāṇḍa-koṭigam api traikālikaṁ yat sukhaṁ
duḥkhaṁ ceti pṛthag yadi sphuṭam ubhe te gacchataḥ kuṭatām |
naivābhāsa-tulāṁ śive tad api tat kuṭa-dvayaṁ rādhikā-
premodyat-sukha-duḥkha-sindhu-bhavayor vindeta bindvor api ||
(Ujjvala-nīlamaṇi: 14.171)

“[Bhagavān Śiva:] The happiness and the sorrow which exist beyond the world [i.e., in Vaikuṇṭha and in sāyujya-mukti] and across the three phases of time throughout crores of universes—if separately both of these were to become visibly stacked [beside each other so that their ultimate magnitudes could be measured], still O Śivā [i.e., O Pārvatī] those two stacks would certainly not be equal to a semblance of even two drops [of the nectar] produced by the ocean of the happiness and sorrow arising from Rādhikā’s prema.”

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vartitavyaṁ śam-icchadbhir bhaktavan na tu kṛṣṇavat

vartitavyaṁ śam-icchadbhir bhaktavan na tu kṛṣṇavat |
ity evaṁ bhakti-śāstrāṇāṁ tātparyasya vinirṇayaḥ ||
rāmādivad vartitavyaṁ na kvacid rāvaṇādivat |
ity eṣa mukti-dharmādi-parāṇāṁ naya īryate ||
(Ujjvala-nīlamaṇi: 3.24–5)

“[Conduct] is to be observed like a bhakta, and not, rather, like Kṛṣṇa, by those who desire well-being—this is the proper determination of the intent of the bhakti-śāstras. [Conduct] is to observed like Rāma and others [i.e., other forms of Bhagavān], and never like Rāvaṇa and others [i.e., those who are inimical to Bhagavān]—this is said to be proper for those who seek mukti, dharma, and so on [but not for those who follow bhakti-śāstra].”

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vidagdhānāṁ mitho līlā-vilāsena yathā sukham

vidagdhānāṁ mitho līlā-vilāsena yathā sukham |
na tathā samprayogeṇa syād evaṁ rasikā viduḥ ||
yathā—
balena parirambhaṇe nakha-śikhābhir ullekhanaṁ
haṭhād adhara-khaṇḍane bhuja-yugena bandha-kriyām |
dukūla-dalane hatim kuvalayena kurvāṇayā
ratād api sukhaṁ harer adhikam ādadhe rādhayā ||
yathā vā—
narmotseka-kalā dṛg-añcala-camatkārī bhruvor vibhramaḥ
saṁvyānasya vikarṣaṇe caṭulatāṁ karṇotpalenāhatiḥ |
krīḍeyaṁ vraja-nāgarī-rati-guror gāndharvikāyās tathā
bhūyiṣṭhaṁ suratotsavād api navāsvādaṁ vitene sukham ||
ata eva śrī-gīta-govinde—
pratyūhaḥ pulakāṅkureṇa niviḍa-śleṣe nimeṣeṇa ca
krīḍā-kūta-vilokite’dhara-sudhā-pāne kathā-narmabhiḥ |
ānandābhigamena manmatha-kalā-yuddhe’pi yasminn abhud
udbhūtaḥ sa tayor babhūva suratārambhaḥ priyaṁbhāvukaḥ ||
(Ujjvala-nīlāmaṇi: 15.253–256)

“For the cultured, pleasure shall not arise from full union (samprayoga) as it shall from sportive coquetry (līlā-vilāsa) with one another. This rasikas know.
As [is described in the following verse]:
‘By scratching [him on the chest] with the tips of her nails
When he embraces [her] by force,
By blocking [him] with her arms
When he forcibly bites her lip,
And by striking [him] with a water lily
When he pulls her raiment,
Pleasure for Hari
Greater than even [that of] union [i.e., samprayoga]
Was created by Rādhā.’
Or as [is described in the following verse]:
‘The art of pouring forth jokes [exhibited by Kṛṣṇa],
And the waggling of the eyebrows
[That was] Astonishing with sidelong glances [exhibited by Rādhā in return],
The vivacity in pulling upon the upper garment [of Rādhā exhibited by Kṛṣṇa],
And the blow with a lotus from her ear [dealt to Kṛṣṇa by Rādhā in return]—
This play
Between the ladies of Vraja’s Love-teacher (Rati-guru) and Gāndharvikā
Manifested pleasure abundant and freshly relishable
Even more so than the delight of full union (samprayoga).’
Therefore, in Śrī Gīta-govinda (12.10) [the following is found], ‘Wherein obstruction arose
To their tight embraces
By their horripilation,
To their observation of the plentitude of their play
By the blinking of their eyes,
To their drinking the nectar of one another’s lips
By their talks and jokes,
And to their battle in the arts of the Mind-churner [i.e., Kāma]
By the arrival of bliss—
That [wonderful] beginning of their amorous union,
Being [most] pleasing [to them both],
Became perceptible.’”

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pīyūṣa-dyutibhiḥ stanādri-patitaiḥ kṣīrotkarair jāhnavī

pīyūṣa-dyutibhiḥ stanādri-patitaiḥ kṣīrotkarair jāhnavī
kālindī ca vilocanābja-janitair jātāñjana-śyāmalaiḥ |
ārān madhyama-vedim āpatitayoḥ klinnā tayoḥ saṅgame
vṛttāsi vraja-rājñi tat suta-mukha-prekṣāṁ sphuṭaṁ vāñchasi ||
(Bhakti-rasāmṛta-sindhu: 3.4.58)

“[When Mother Yaśodā travelled to Kurukṣetra on the pretext of a solar eclipse with great desire to see Śrī Kṛṣṇa, a feminine ascetic previously known to her says the following upon meeting her there:]
The Gaṅgā has appeared from the streams of milk (kṣīra)
Endowed with luster like nectar
Falling from the mountains of your breasts,
And the Kālindī [has appeared from the streams of water (kṣīra), that is, tears]
Produced by your lotus eyes
That are black because of your mascara [running off into them].
You have been bathed at the confluence of these two [rivers]
That have descended from above
Onto the altar of your midsection
[alt., They—the Gaṅgā and Kālindī—have in this way descended
And joined at Prayāga].
Thus, O Queen of Vraja!
You clearly desire to behold the face of your son
[Since it is well known
That people only go to bath at Prayāga
When they desire to attain the sight of Śrī Bhagavān].”

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vinyasta-śruti-pālir adya muralī-nisvāna-śuśrūṣā

vinyasta-śruti-pālir adya muralī-nisvāna-śuśrūṣā
bhūyaḥ prasrava-varṣiṇī dviguṇitotkaṇṭhā pradoṣodaye |
gehād aṅganam aṅganāt punar asau gehaṁ viśanty ākulā
govindasya muhur vrajendra-gṛhiṇī panthānam ālokate ||
(Bhakti-rasāmṛta-sindhu: 3.4.55)

“Today [i.e., throughout the day]
Wishing with her ears pricked
To hear the sound of the flute,
And again at the onset of evening,
With doubled longing
And milk streaming [from her breasts]
As she repeatedly entered the courtyard from the house
And the house from the courtyard,
The anxious queen of Vraja
Looked again and again at Govinda’s path
[i.e., the path by which he was expected to soon return home from the forest].”

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