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  • teṣāṁ tu śokārti-bharaṁ kadāpi taṁ
    paraiḥ prakārair anivartyam āptataḥ |
    janāt sa vikhyāpya janeṣu sarvato
    vrajaṁ priya-prema-vaśo’cirād gataḥ ||
    vidagdha-mūrdhanya-maṇiḥ kṛpākulo
    vraja-sthitānāṁ sa dadat sapady asūn |
    tathā samaṁ tair vijahāra te yathā
    visasmarur duḥkham adaḥ samūlakam ||
    yadi ca ko’pi kadācid anusmared
    vadati tarhi mayā śvapatā bata |
    kim api duṣṭam ananvayam īkṣitaṁ
    saruditaṁ ca bhayād bahu śocati ||
    cireṇa gopāla-vihāra-mādhurī-
    bharaiḥ samākṛṣṭa-vimohitendriyāḥ |
    na sasmaruḥ kiñcid atītam eṣyad apy
    amī vidur na vraja-vāsino janāḥ ||
    (Bṛhad Bhāgavatāmṛta: 2.6.348–351)

    “Making known among the people [i.e., the Yadus and others] everywhere through a credible person [such as Uddhava] that that [i.e., the ineffable] profusion of their [i.e., the people of Vraja‘s] sorrow and distress was inexorable by other means [i.e., by any means other than his returning to Vraja], he [i.e., Śrī Kṛṣṇa] without delay went to Vraja, being captivated by the prema of his dear ones [there]. He, the crest-jewel of the artful, overcome with compassion, immediately gave vital airs to the residents of Vraja [who had been as though without them in his absence]. He enjoyed with them such that they forgot that [i.e., the suffering of separation from him] along with its root [i.e., Akrūra’s coming to Vraja, his going to Mathurā, and so on]. And if ever anyone would remember [that separation from him or its suffering], then [in confusion or distress] one would say, ‘Bata! What sort of inauspicious inanity has been seen by me as I was dreaming [since Śrī Kṛṣṇa’s ever leaving Vraja is utterly impossible]!’ and grieve profusely with lamentation out of fear [thus demonstrating the manifest presence of the Vraja-vāsīs’ special, paramount prema verily in every respect]. These people residing in Vraja soon did not remember anything of the past [i.e., they soon lost all awareness of Kṛṣṇa’s ever having left Vraja] and did not think of the future [i.e., they never thought that he would leave again], their senses being fully attracted and engrossed by the profusion of sweetness of Gopāla’s play [there in Vraja with them].”

    Read on →: teṣāṁ tu śokārti-bharaṁ kadāpi taṁ

  • tathaiva kāliya-damaḥ punaḥ punas
    tathaiva govardhana-dharaṇaṁ muhuḥ |
    parāpi līlā vividhādbhutāsakṛt
    pravartate bhakta-manoharā prabhoḥ ||
    (Bṛhad Bhāgavatāmṛta: 2.6.356)

    “So indeed the subduing of Kāliya occurs again and again. So indeed the lifting of Govardhana occurs repeatedly. Various other astonishing līlās of Prabhu captivating of the minds of bhaktas too take place repeatedly.”

    Read on →: tathaiva kāliya-damaḥ punaḥ punas

  • yuvatīnāṁ yathā yūni yūnāṁ ca yuvatau yathā |
    mano’bhiramate tadvan mano’bhiramatāṁ tvayi ||
    (Padma Purāṇa: 6.128.258; cited in Hari-bhakti-vilāsa: 8.437; Bhakti-rasāmṛta-sindhu: 1.2.153; Bhakti Sandarbha: 217)

    “As the minds of young ladies delight in a young man, and the minds of young men delight in a young lady, so may my mind delight in you.”

    Read on →: yuvatīnāṁ yathā yūni yūnāṁ ca yuvatau yathā

  • tat-tad-viśeṣo nirvācyo’nanta-śaktyāpi nāparaḥ |
    mahārti-janake tasmin ko vā dhīmān pravartate ||
    (Bṛhad Bhāgavatāmṛta: 2.6.191)

    “Further detail about all of that is not effable even with Ananta’s [alt., endless] śakti. And what intelligent person pursues that which is a cause of great heartache?”

    Read on →: tat-tad-viśeṣo nirvācyo’nanta-śaktyāpi nāparaḥ

  • tava kṛṣṇa keli-muralī
    hitam ahitaṁ ca sphuṭaṁ vimohayati |
    ekaṁ sudhormi-suhṛdā
    viṣa-viṣameṇāparaṁ dhvaninā ||
    (Stava-mālā: Govinda-virudāvalī: 38)

    “O Kṛṣṇa!
    Your play-flute vividly bewilders
    The well-disposed and the ill-disposed,
    One [i.e., the well-disposed] with a sound
    That is friendly like a wave of nectar [and causes one to faint out of bliss],
    And the other [i.e., the ill-disposed] with a sound
    That is dreadful like poison [and causes one to faint out of fear].”

    Read on →: tava kṛṣṇa keli-muralī

  • sambhrāntaiḥ saṣaḍ-aṅga-pātam abhito vedair mudā vanditā
    sīmantopari gauravād upaniṣad-devībhir apy arpitā |
    ānamraṁ praṇavena ca praṇayato hṛṣṭātmanābhiṣṭutā
    mṛdvī te muralī-rutir mura-ripo śarmāṇi nirmātu naḥ ||
    (Stava-mālā: Govinda-virudāvalī: 37)

    “Bowed to on all sides by the reverent Vedas
    Accompanied by [their] six limbs,
    Placed out of veneration atop the part [in the hair]
    Even by the devīs of the Upaniṣads,
    And highly praised out of admiration
    By bowing praṇava [i.e., the syllable Om] with a rejoicing mind—
    O Enemy of Mura—
    May the gentle sound of your flute
    Create delights for us.”

    Read on →: sambhrāntaiḥ saṣaḍ-aṅga-pātam abhito vedair mudā vanditā

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