Rūpa Gosvāmī
śrī-rūpa-darśita-diśā likhitāṣṭa-kālyā
śrī-rūpa-darśita-diśā likhitāṣṭa-kālyā
śrī-rādhikeśa-kṛta-keli-tatir mayeyam |
sevāsya yogya-vapuṣāniśam atra cāsyā
rāgādhva-sādhaka-janair manasā vidheyā ||
(Govinda-līlāmṛta: 23.94)
“This profusion of play performed by Śrī Rādhikā’s Īśa throughout the eight times [of the day] has been written by me following the direction shown [to me] by Śrī Rūpa. Sevā to him [i.e., Śrī Kṛṣṇa] and to her [i.e., Śrī Rādhikā] herein [i.e., within this līlā throughout the eight times of the day, or, here in Śrī Vṛndāvana] is to be performed continuously by sādhakas on the path of rāga with a befitting form within the mind.”
alaukika-padārthānām
alaukika-padārthānām acintyā śaktir īdṛśī |
bhāvaṁ tad-viṣayaṁ cāpi yā sahaiva prakāśayet ||
(Bhakti-rasāmṛta-sindhu: 1.2.244)
“Such is the inconceivable śakti of these [five] extraordinary things [i.e., limbs of bhakti], which manifest simultaneously bhāva and its object [i.e., Śrī Kṛṣṇa].”
durūhādbhuta-vīrye’smin
durūhādbhuta-vīrye’smin śraddhā dūre’stu pañcake |
yatra svalpo’pi sambandhaḥ sad-dhiyāṁ bhāva-janmane ||
(Bhakti-rasāmṛta-sindhu: 1.2.238; cited in Caitanya-caritāmṛta: 2.22.133)
“Let alone having śraddhā in them [i.e., performing them with śraddhā], even slight connection with these five [limbs of bhakti of difficult to comprehend and wonderful power [i.e., even slight performance without śraddhā of sādhu-saṅga, nāma-kīrtana, Bhāgavata-śravaṇa, Mathurā-vāsa, or śrī-mūrti-sevā] gives rise to bhāva in those of pure mind [i.e., those whose minds are free from aparādha].”