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  • mūrkhā yatra na pūjyante dhānyaṁ yatra susañcitam |
    dāmpatyo kalahaṁ nāsti tatra śrīḥ svayam āgataḥ ||
    (Cāṇakya-nīti: 3.12)

    “Where fools are not worshiped [i.e., given power, regarded as role-models, etc.],
    Where grain is well-stored,
    And where there is no quarrel in marital relationships,
    There Śrī [i.e., Lakṣmī, prosperity] comes of her own accord.”

    Read on →: mūrkhā yatra na pūjyate dhānyaṁ yatra susañcitam

  • gatānugatiko mūrkhaḥ śāstronmādaś ca paṇḍitaḥ |
    nitya-kṣībāś ca veśyānāṁ jaṅgamāḥ kalpa-pādapāḥ ||
    (Samaya-mātṛkā: 5.67; cited in Mahāsubhāṣita-saṅgraha: 7755)

    “A fool is an imitator [lit., ‘a goer after that which has gone,’ i.e., just an uncritical follower of what those before them have done], a scholar (paṇḍita) is crazed by śāstra [i.e., undone as a result of pedantry, excessive concern for theory that results in a lack of practical application, etc.], and the ever-debased [alt., weak-minded] are the mobile desire-trees of prostitutes.”

    Read on →: gatānugatiko mūrkhaḥ śāstronmādaś ca paṇḍitaḥ

  • niśamya gītāṁ tad anaṅga-vardhanaṁ
    vraja-striyaḥ kṛṣṇa-gṛhīta-mānasāḥ |
    ājagmur anyonyam alakṣitodyamāḥ
    sa yatra kānto java-lola-kuṇḍalāḥ ||
    (Śrīmad Bhāgavatam: 10.29.4)

    “Upon hearing that song [of Śrī Kṛṣṇa’s flute] intensifying of kāma [i.e., of prema for Śrī Kṛṣṇa], the women of Vraja, their minds stolen by Kṛṣṇa, their departing [from wherever they were upon hearing the flute’s song] unseen by one another, and their earrings swinging from [the] swiftness [of their running through the forest to meet Kṛṣṇa], arrived where he, their lover, was present.”

    Read on →: niśamya gītāṁ tad anaṅga-vardhanaṁ

  • tadīya-nāmehita-gāna-tatparā
    vicitra-veśāmbara-kānti-bhūṣitāḥ |
    ramātisaubhagya-mada-prahārikā
    javena kṛṣṇā-taṭam āśrayanta tāḥ ||
    (Bṛhad Bhāgavatāmṛta: 2.6.53)

    “Absorbed in singing his names and of his acts,
    Adorned with extraordinary ornaments, garments, and embellishments,
    And demolishing Ramā’s pride in her great beauty,
    They swiftly converged on the bank of the Yamunā.”

    Read on →: tadīya-nāmehita-gāna-tatparā

  • rādhā-kṛṣṇa-vilāsa-vaibhava-rasaṁ śrutvā rudann apy asau
    tat-tad-rūpa-prakaṭana-paro mādhurī-dhurya-sāram |
    vyaktīkṛtya sa jagati punar goṣṭha-bhāvena pūrṇaḥ
    sāndrānando vijayati paraṁ śrī-śacī-nandano’yam ||
    (Kṛṣṇa-caitanya-caritāmṛta: 4.10.23)

    “Upon hearing of the rasa of the magnificence of the play of Rādhā and Kṛṣṇa [in the kuñjas of Vraja] and weeping, he—this blessed Son of Śacī—became intent upon manifesting those very forms [of Rādhā and Kṛṣṇa], revealed the essence of the foremost sweetness (mādhurī) in the world [i.e., self-manifested himself as Rādhā and Kṛṣṇa with the totality of their sweetness], and, becoming fulfilled and intensely blissful with the bhāva of Vraja, triumphed completely.”

    Read on →: rādhā-kṛṣṇa-vilāsa-vaibhava-rasaṁ śrutvā rudann apy asau

  • śrutvā rāsa-vilāsa-vaibhava-rasaṁ śrī-gauracandro hariḥ
    premonmāda-vibhinna-dhairya-nivaho mādhurya-sārojjvalaḥ |
    rādhā-kṛṣṇaṁ vraja-vadhū-gaṇair veṣṭitaṁ saṁvibhāvya
    prākaṭyaṁ tat svātmani tayor darśayan sambabhau sma ||
    (Kṛṣṇa-caitanya-caritāmṛta: 4.9.20)

    “Upon hearing of the rasa of the magnificence of the play of rāsa, Hari—blessed Gauracandra—causing the severance of his composure as a result of the madness of prema, becoming effulgent with the essence of sweetness (mādhurya), and meditating on Rādhā and Kṛṣṇa surrounded by the ladies of Vraja, shined displaying a manifestation of them within his own self [i.e., causing his own form to appear as Rādhā and Kṛṣṇa].”

    Read on →: śrutvā rāsa-vilāsa-vaibhava-rasaṁ śrī-gauracandro hariḥ

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