Vṛndāvana

vīkṣe divyākṣi-lakṣaiḥ sthira-cara-suṣamāṁ saurabhaṁ ghrāṇa-lakṣair

vīkṣe divyākṣi-lakṣaiḥ sthira-cara-suṣamāṁ saurabhaṁ ghrāṇa-lakṣair
jighrāmy ākarṇaye ca śravaṇa-vitatibhis tvad-guṇān atyudārān |
pat-koṭyā tvayaṭeyaṁ yadi ca kara-śiraḥ koṭibhis tvāṁ nameyaṁ
no tṛptir me tathāpi priyatama-paramānanda-vṛndāvanādya ||
(Vṛndāvana-mahimāmṛta: 4.53)

“O dearmost, supremely blissful Vṛndāvana! If today I beheld the exquisite beauty of the mobile and immobile beings within you with hundreds of thousands of divine eyes, I smelled your fragrance with hundreds of thousands of noses, I heard your most exalted virtues with numerous ears, I were to roam about you with tens of millions of feet, and I were to bow to you with tens of millions of hands and feet, still I would feel no satiation.”

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kṛṣṇaṁ smaran janaṁ cāsya

kṛṣṇaṁ smaran janaṁ cāsya preṣṭhaṁ nija-samīhitam |
tat-tat-kathā-rataś cāsau kuryād vāsaṁ vraje sadā ||
(Bhakti-rasāmṛta-sindhu: 1.2.294)

“Remembering beloved Kṛṣṇa and his companion of one’s own longing, one absorbed in narrations of them should always dwell in Vraja.”

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kair api prema-vaivaśya

kair api prema-vaivaśya-bhāgbhir bhāgavatavottamaiḥ |
adyāpi dṛśyate kṛṣṇaḥ krīḍan vṛndāvanāntare ||
(Laghu-bhāgavatāmṛta: 1.5.392)

“Even by some highly elevated Bhāgavatas who are overwhelmed by prema, Kṛṣṇa is seen playing in Vṛndāvana still today.”

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saubhares tu garuḍāya kupyato

saubhares tu garuḍāya kupyato yasmin kṛpā ajaniṣṭha tasya mīnasyaiva saṅgād utthitā durvāsanaivāparādha-phalaṁ yataś ca vilupta-brahmānandaḥ sacira-sañcita-tapas-sṛṣṭa-svayauvanenaiva mūlyena kāminī-vṛndaṁ krītvā tatraiva naraka-tulye viṣayānande nimajjann aparādha-bhogānte śrī-vṛndāvana-yamunāśraya-māhātmyenaiva paścān nistatāreti navame kathā |
(Excerpt from the Sārārtha-darśinī-ṭīkā on Śrīmad Bhāgavatam: 10.17.11)

“The ill-inclination (durvāsanā) which arose through the association of the very fish upon whom Saubhari, who was angry at Garuḍa, showed grace was a result of [his, i.e., Saubhari’s] aparādha [against Garuḍa], since he became disengaged from the bliss of Brahman [as a result of this aparādha], and he bought a group of desirable woman for the price of his personal youth produced with [the results of] his long accumulated austerities, became absorbed there itself [i.e., in the company of those women] in bliss related to viṣaya, which is comparable to Naraka, and [only] after enduring [the full result of his] aparādha was delivered thereafter only by the greatness of the shelter of Śrī Vṛndāvana and the Yamunā [where he had originally come to engage in sādhana]. This is narrated in the Ninth Canto.”

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