Mahāviṣṇu (Kāraṇābdhiśāyī Viṣṇu)

niśāmya vaiṣṇavaṁ dhāma pārthaḥ parama-vismitaḥ

niśāmya vaiṣṇavaṁ dhāma pārthaḥ parama-vismitaḥ |
yat kiñcit pauruṣaṁ puṁsāṁ mene kṛṣṇānukampitam ||
(Śrīmad Bhāgavatam: 10.89.63)

“After having seen the abode of Viṣṇu [i.e., Mahākālapura, the abode of Mahāviṣṇu], Arjuna, completely astonished, recognized that any prowess in a person (puruṣa) [including even the Supreme Puruṣa in the universe, Mahāviṣṇu], is manifest [only] by Kṛṣṇa’s favor.”

Read on →

yasya brahmeti saṁjñāṁ kvacid api nigame yāti cin-mātra-sattāpy

yasya brahmeti saṁjñāṁ kvacid api nigame yāti cin-mātra-sattāpy
aṁśo yasyāṁśakaiḥ svair vibhavati vaśayann eva māyāṁ pumāṁś ca |
ekaṁ yasyaiva rūpaṁ vilasati parama-vyomni nārāyaṇākhyaṁ
sa śrī-kṛṣṇo vidhattāṁ svayam iha bhagavān prema tat-pāda-bhājām ||
(Tattva Sandarbha: 8)

“He whose existence purely as consciousness is called Brahman in parts of the Vedas, whose expansion the Puruṣa [i.e., Mahāviṣṇu] controls māyā [i.e., the material energy] and manifests as his own sub-expansions, and whose particular form known as Nārāyaṇa enjoys in Paravyoma [lit., ‘the higher sky,’ i.e., the spiritual world]—may [he,] Śrī Kṛṣṇa, Svayaṁ Bhagavān, bestow prema upon the servants of his feet here [i.e., in this world].”

Read on →

māyā-bhartājāṇḍa-saṅghāśrayāṅgaḥ

māyā-bhartājāṇḍa-saṅghāśrayāṅgaḥ
śete sākṣāt kāraṇāmbhodhi-madhye |
yasyaikāṁśaḥ śrī-pumān ādi-devas
taṁ śrī-nityānanda-rāmaṁ prapadye ||
(Svarūpa Dāmodara Gosvāmī; cited in Caitanya-caritāmṛta: 1.1.9)

“I take shelter in him, Śrī Nityānanda Rāma, one part of whom is the direct master of māyā who lies upon the Causal Ocean (Kāraṇa Samudra), the original Deva, the divine Puruṣa, whose body is the shelter of the universes.”

Read on →

saṅkarṣaṇaḥ kāraṇa-toyaśāyī

saṅkarṣaṇaḥ kāraṇa-toyaśāyī
garbhodaśāyī ca payobdhiśāyī |
śeṣaś cha yasyāṁśa-kalāḥ sa nityā-
nandākhya-rāmaḥ śaraṇaṁ mamāstu ||
(Svarūpa Dāmodara Gosvāmī; cited in Caitanya-caritāmṛta: 1.1.7)

“May Rāma [i.e., Balarāma], who is known as Nityānanda, and whose parts (aṁśas) and sub-part (kalā) are Saṅkarṣaṇa, Kāraṇatoyaśāyī, Garbhodaśāyī, Payobdhiśāyī, and [Ananta] Śeṣa, be my shelter.”

Read on →

Scroll to Top