Sūkti Sudhākara

vidagdhānāṁ mitho līlā-vilāsena yathā sukham

vidagdhānāṁ mitho līlā-vilāsena yathā sukham |
na tathā samprayogeṇa syād evaṁ rasikā viduḥ ||
yathā—
balena parirambhaṇe nakha-śikhābhir ullekhanaṁ
haṭhād adhara-khaṇḍane bhuja-yugena bandha-kriyām |
dukūla-dalane hatim kuvalayena kurvāṇayā
ratād api sukhaṁ harer adhikam ādadhe rādhayā ||
yathā vā—
narmotseka-kalā dṛg-añcala-camatkārī bhruvor vibhramaḥ
saṁvyānasya vikarṣaṇe caṭulatāṁ karṇotpalenāhatiḥ |
krīḍeyaṁ vraja-nāgarī-rati-guror gāndharvikāyās tathā
bhūyiṣṭhaṁ suratotsavād api navāsvādaṁ vitene sukham ||
ata eva śrī-gīta-govinde—
pratyūhaḥ pulakāṅkureṇa niviḍa-śleṣe nimeṣeṇa ca
krīḍā-kūta-vilokite’dhara-sudhā-pāne kathā-narmabhiḥ |
ānandābhigamena manmatha-kalā-yuddhe’pi yasminn abhud
udbhūtaḥ sa tayor babhūva suratārambhaḥ priyaṁbhāvukaḥ ||

(Ujjvala-nīlāmaṇi: 15.253–256)

“For the cultured, pleasure shall not arise from full union (samprayoga) as it shall from sportive coquetry (līlā-vilāsa) with one another. This rasikas know.
As [is described in the following verse]:
‘By scratching [him on the chest] with the tips of her nails
When he embraces [her] by force,
By blocking [him] with her arms
When he forcibly bites her lip,
And by striking [him] with a water lily
When he pulls her raiment,
Pleasure for Hari
Greater than even [that of] union [i.e., samprayoga]
Was created by Rādhā.’
Or as [is described in the following verse]:
‘The art of pouring forth jokes [exhibited by Kṛṣṇa],
And the waggling of the eyebrows
[That was] Astonishing with sidelong glances [exhibited by Rādhā in return],
The vivacity in pulling upon the upper garment [of Rādhā exhibited by Kṛṣṇa],
And the blow with a lotus from her ear [dealt to Kṛṣṇa by Rādhā in return]—
This play
Between the ladies of Vraja’s Love-teacher (Rati-guru) and Gāndharvikā
Manifested pleasure abundant and freshly relishable
Even more so than the delight of full union (samprayoga).’
Therefore, in Śrī Gīta-govinda (12.10) [the following is found], ‘Wherein obstruction arose
To their tight embraces
By their horripilation,
To their observation of the plentitude of their play
By the blinking of their eyes,
To their drinking the nectar of one another’s lips
By their talks and jokes,
And to their battle in the arts of the Mind-churner [i.e., Kāma]
By the arrival of bliss—
That [wonderful] beginning of their amorous union,
Being [most] pleasing [to them both],
Became perceptible.’”

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atra kārikā—tac-cintanādi-samaye kuryāt tad-anusārataḥ

atra kārikā—
tac-cintanādi-samaye kuryāt tad-anusārataḥ |
cintanaṁ tu tayos tatra vasan guru-gaṇānvitaḥ ||
punaś cākṣuṣa-līle’smin siddha-dehena sādhakaḥ |
manasā mānasīṁ sevām aṣṭa-kālocitāṁ vrajet ||
sādhakaḥ siddha-dehena kuryāt kṛṣṇa-priyā-gṛhe |
guru-rūpa-priyā-pārśve lalitādi-sakhī-gaṇe ||
nivāsaṁ yāvaṭe nityaṁ śrī-rūpa-mañjarī-yutaḥ |
śrī-yāvaṭa-pure śrīmad-vṛṣabhānu-pure’pi ca ||
nandīśvara-pure rādhā-kṛṣṇa-kuṇḍa-taṭa-dvaye |
śrīmad-vṛndāvane ramye śrīmad-vṛndāvaneśayoḥ ||
prātar-ādy-aṣṭa-samaye sevanaṁ tu krameṇa ca |
nānopakaraṇair divyair bhakṣya-bhojyādibhiḥ sadā |
cāmara-vyajanādyaiś ca pāda-saṁvāhanādibhiḥ ||
siddhāṅga-bhāvanā-kramo yathā—
kiśorī gopa-vanitā sarvālaṅkāra-bhūṣitā |
pṛthu-tuṅga-kuca-dvandvā catuḥṣaṣṭi-guṇānvitā ||
nigūḍha-bhāvā govinde madanānanda-mohinī |
nānā-rasa-kalālāpa-śālinī divya-rūpiṇī ||
saṅgīta-rasa-sañjāta-bhāvollāsa-bharānvitā |
divā-niśaṁ mano-madhye dvayoḥ premā-bharākulā ||
sarva-lakṣana-sampūrṇā bhāva-hāvādi-bhūṣitā |
guru-prasāda-jananī guru-rūpā-priyānugā |
gāndharvikā-sva-yūtha-sthā lalitādi-gaṇānvitā ||
rūpa-mañjary-anugatā yāvaṭa-grāma-vāsinī |
cintanīyākṛtiḥ sā ca kāma-rūpānugāminī ||
cid-ānanda-rasamayī druta-hema-sama-prabhā |
sucīna-nīla-vasanā nānālaṅkāra-bhūṣitā ||
śrī-rādhā-kṛṣṇayoḥ pārśva-vartinī nava-yauvanā |
guru-dattasya nāmno’syā mātā vargādya-mañjarī |
pitā varga-tṛtīyākhyo vargāntāhvayakaḥ patiḥ ||
nivāso yāvaṭe tasyā dakṣiṇā mṛdvikā hi sā |
śrī-rādhā-vastra-bhūṣāḍhyā nānālaṅkāra-bhūṣitā ||
asyaiva siddha-dehasya sādhanāni yathā-kramam |
ekādaśa-prasiddhāni lakṣyante’timanoharam ||
nāma rūpaṁ vayo veśaḥ sambandho yūtha eva ca |
ājñā sevā parākāṣṭhā pālya-dāsī nivāsakaḥ ||
eteṣāṁ viśeṣa-lakṣaṇāny ucyante—
tatrādau nāma-lakṣaṇam—
śrī-rūpa-mañjarīty-ādi-nāmākhyānānurūpataḥ |
cintanīyaṁ yathā-yogyaṁ sva-nāma vraja-subhruvām ||
atha rūpam—
rūpaṁ yūtheśvarī-rūpaṁ bhāvanīyaṁ prayatnataḥ |
trailokya-mohanaṁ kāmoddīpanaṁ gopikā-pateḥ ||
atha vayaḥ—
vayo nānā-vidhaṁ tatra yat tu tridaśa-vatsaram |
mādhuryādbhuta-kaiśoraṁ vikhyātaṁ vraja-subhruvām ||
atha veśaḥ—
veśo nīla-paṭādyaiś ca vicitrālaṅkṛtais tathā |
svasya dehānurūpeṇa svabhāva-rasa-sundaraḥ ||
atha sambandhaḥ—
sevya-sevaka-sambandhaḥ svamanovṛtti-bhedataḥ |
prāṇātyaye’pi sambandhaṁ na kadā parivartayet ||
atha yūthaḥ—
yathā yūtheśvarī-yūthaḥ sadā tiṣṭhati tad-vaśe |
tathaiva sarvathā tiṣṭhed bhūtvā tad-vaśa-vartinī ||
atha ājñā—
yūtheśvaryāḥ śirasy ājñām ādāya hari-rādhayoḥ |
yathoditāṁ tac-chuśrūṣāṁ kuryād ānanda-saṁyutā ||
atha sevā—
cāmara-vyajanādīnāṁ saṁyoga-pratipālanam |
iti sevā parijñeyā yathā-mati vibhāgaśaḥ ||
atha parākāṣṭhā—
śrī-rādhā-kṛṣṇayor yadvad rūpa-mañjarikādayaḥ |
prāptā nitya-sakhītvaṁ ca tathā syām iti bhāvayet ||
atha pālya-dāsī—
pālya-dāsī ca sā proktā paripālyā priyaṁvadā |
sva-manovṛtti-rūpeṇa yā nitya-paricārikā ||
atha nivāsaḥ—
nivāso vraja-madhye tu rādhā-kṛṣṇa-sthale mataḥ |
vaṁśī-vaṭaś ca śrī-nandīśvaraś cāpy atikautukaḥ ||
atha mañjarī-gaṇa-niṣṭhā—
anaṅga-mañjarī proktā vilāsa-mañjarī tathā |
aśoka-mañjarī ceti rasa-mañjarikā tathā ||
rasāla-mañjarī nāmnā tathā kamala-mañjarī |
karuṇā-mañjarī khyātā vikhyātā guṇa-mañjarī ||
evaṁ sarvāś ca vikhyātāḥ sva-sva-nāmākṣaraiḥ parāḥ |
mañjaryo bahuśaḥ rūpa-guṇa-śīla-vayo’nvitāḥ ||
nāma-rūpādi tat sarvaṁ guru-dattaṁ ca bhāvayet |
tatra tatra sthitā nityaṁ bhajet śrī-rādhikā-harī ||
bhāvayan sādhako nityaṁ sthitvā kṛṣṇa-priyā-gṛhe |
tad-ājñā-pālako bhūtvā kāleṣv aṣṭasu sevate ||
sakhīnāṁ saṅginī-rūpām ātmānaṁ vāsanāmayīm |
ājñā-sevā-parākāṣṭhā-kṛpālaṅkāra-bhūṣitām |
tataś ca mañjarī-rūpān gurv-ādīn api saṁsmaret ||
(Śrī Śrī Gaura-Govindārcana-smaraṇa-paddhati of Gopāla Guru Gosvāmīpāda: 297–329; Śrī Śrī Gaura-Govindārcana-smaraṇa-paddhati of Dhyānacandra Gosvāmīpāda: 78–110)

“Now, the precept [in regard to performing service to Śrī Kṛṣṇa with a siddha-body is stated]: At the time of meditation and so forth on them [viz., Rādhā and Kṛṣṇa], one should, following them, dwell there [i.e., in their abode] in the company of one’s gurus and engage in meditation upon them. Furthermore, in this līlā to be envisioned, a sādhaka should with the mind perform mental [i.e., meditational] service with the siddha-body related to [each of] the eight time periods [of the day]. United with Śrī Rūpa Mañjarī [alt., with one’s guru in sakhī form (DCG variant)], a sādhaka should with the siddha-body always dwell in the home of Kṛṣṇa’s Dear One [viz., Śrī Rādhā] in Yāvaṭa by the side of one’s guru in the form of a dear one [i.e., in the form of a sakhī of Rādhā and Kṛṣṇa] in the company of the dear ones [alt., sakhīs (DCG variant)] Lalitā and so forth and perform worship of the beautiful Īśas of Vṛndāvana [viz., Rādhā and Kṛṣṇa] by means of foot-massages and so on with various excellent instruments, foods, beverages, and so on, such as cāmaras, fans, and so on, in Śrī Yāvaṭapura, as well as in Śrī Vṛṣabhānupura [i.e., Barsānā], Nandīśvarapura, on the two banks of Rādhā and Kṛṣṇa’s kuṇḍas [i.e., on the banks of Rādhā Kuṇḍa and Śyāma Kuṇḍa], and in charming Śrī Vṛndāvana at the eight times [of the day] beginning with early morning.
The method for meditation on the siddha-body is as follows:
That figure to be meditated upon is
An adolescent cowherd woman
Adorned with all ornaments,
Possessed of two ample, raised breasts,
Endowed with the sixty-four qualities,
Possessed of hidden bhāva for Govinda,
Enchanting by virtue of the bliss of Madana [viz., Kāmadeva, i.e., by virtue of the bliss of prema],
Adept in discussion of various arts and rasas,
Of divine [i.e., splendid] form,
Filled with an abundance of elation
From the feeling (bhāva) produced by the taste (rasa) of music,
Night and day overwhelmed
With an abundance of prema for the Pair
Within the heart,
Replete with all attributes,
Ornamented with [the three bodily alaṅkāra-anubhāvas, viz.,] bhāva, hāva, and so on [i.e., helā, meaning, (1) the first passion felt in the heart, expressed by flickering of the eyes (bhāva, see UN 11.6–8), (2) a slightly greater expression of passion in which the neck is tilted and there is a blossoming of the eyes, eyebrows, and other features (hāva, see UN 11.9–10), (3) an expression of passion that is evidently suggestive of amour (helā, see UN 11.11–12)],
Born of the guru’s grace,
A follower of the guru in the form of a dear one [of Śrī Rādhā and Kṛṣṇa, i.e., a follower of the guru’s sakhī form],
Situated in Gāndharikā’s [i.e., Rādhā’s] own group,
Attached to the party of Lalitā and so on,
A follower of Rūpa Mañjarī
[Alt., a follower of her own group leader (DCG variant)],
A resident of the village of Yāvaṭa,
A follower of kāma-rūpā [-rāgātmikā-bhakti],
Filled with rasa of [the nature of] consciousness and bliss,
Possessed of radiance like molten gold,
Dressed in a blue, fine silk garment,
Adorned with various ornaments,
Dwelling by the side of Śrī Rādhā and Kṛṣṇa,
And fresh in youth.
The first letter of the consonant class (varga) of [the first letter of] her [i.e., the siddha-body’s] guru-given name is the [letter that will start the name given for her] mother. The father will have a name of [i.e., that starts from the] the third [letter] in the consonant class (varga) [of her guru-given name]. The husband will have a name of [i.e., that starts from the] the last [letter] in the consonant class (varga) [of her guru-given name]. Her residence is in Yāvaṭa. She is indeed acquiescent and gentle, abounding in the cloth and adornments of Śrī Rādhā, and adorned with various ornaments. The eleven, well-known aspects of this siddha-body are defined as follows: a very charming (1) name (nāma), (2) figure (rūpa), (3) age (vayas), (4) dress (veśa), (5) relationship (sambandha), (6) group (yūtha), (7) order (ājñā), (8) service (sevā), (9) acme [i.e., ultimate aspired for attainment] (parākāṣṭhā), (10) [state of being a] handmaid to be nurtured (pālya-dāsī), and (11) dwelling place (nivāsa).
“The particular characteristics of these are stated [as follows]. Therein, at first, the characteristic of the name (nāma) [is stated]: (1) one’s own name is to be meditated upon as appropriate in accord with the accounts of the names ‘Śrī Rūpa Mañjarī’ and so on of they of fine brows in Vraja [i.e., of the Vraja-gopīs, meaning, one should meditate on the name of one’s siddha-body, which will be such-and-such mañjarī].
“Then, the figure (rūpa) [is described]: (2) the figure is to be meditated upon with great care [alt., perseverant effort] as the form of a group leader (yūtheśvarī) that is enchanting to the three worlds and an excitant of desire (kāma) [i.e., prema] for the Lord of the gopīs [viz., Kṛṣṇa].
“Then, the age (vayas) [is described]: (3) age can be of various sorts. Among them, the age of thirteen—the marvelous adolescence filled with sweetness (mādhurya)—of they of fine brows of Vraja [i.e., of the gopīs] is stated [to be the age to be meditated upon].
“Then, the dress (veśa) [is described]: (4) that which is beautiful by virtue of taste (rasa) [i.e., aesthetic quality] naturally in accord with one’s own body by means of a blue silken garment and so on along with variegated ornaments is the dress [to be meditated upon].
“Then, the relationship (sambandha) [is described]: (5) in accord with the variety [i.e., specific nature] of one’s own disposition of mind, there is a servant and object of service relationship [between the bearer of the siddha-body and Śrī Śrī Rādhā-Kṛṣṇa]. Never shall one change this relationship, even when in danger of death.
“Then, the group (yūtha) [is described]: (6) as the group of a group-leader always remains under her leadership, so exactly one should remain in all circumstances, being a follower of her leadership.
“Then, the order (ājñā) [is described]: (7) holding the order of the group-leader on the head, one should also engage in that attendance as aforesaid [alt., as appropriate (DCG variant)] of Hari and Rādhā, being filled with bliss.
“Then, the service (sevā) [is described]: (8) the service is to be recognized compartmentally according to one’s understanding as attending to provision of [alt., fulfilling all orders for (DCG variant)] a cāmara, fan, and so on.
“Then, the acme [i.e., ultimate aspired for attainment] (parākāṣṭhā) [is described]: (9) one should meditate, ‘As Rūpa Mañjarī and others have attained the state of being nitya-sakhīs [lit, ‘constant female friends’] of Śrī Rādhā and Kṛṣṇa, so too shall I [attain that].’
“Then, the [state of being a] handmaid to be nurtured (pālya-dāsī) [is described]: (10) she who is in every respect fit to be nurtured, pleasant speaking, and a constant attendant by way of her own disposition of mind is called a pālya-dāsī [lit., ‘handmaid to be nurtured’].
“Then, the dwelling place (nivāsa) [is described]: (11) the marvelous Vaṁśī-vaṭa, Śrī Nandīśvara, and so on, [i.e., all those places] considered among the sites of Rādhā and Kṛṣṇa in Vraja, are the dwelling place [alt., the marvelous sites of Rādhā and Kṛṣṇa in Vraja, such as Vaṁśī-vaṭa and Śrī Nandīśvara, are the dwelling place (DCG variant) to be meditated upon].
“Now, the fixity of the mañjarīs [is described]: addressed, known, and renowned by the names Anaṅga Mañjarī, as well as Vilāsa Mañjarī, Aśoka Mañjarī, Rasa Mañjarī, Rasāla Mañjarī, Kamala Mañjarī, Karuṇā Mañjarī, and Guṇa Mañjarī, and similarly all the others who are renowned by the syllables forming their own names—there are many [such] mañjarīs endowed with [charming] figures, qualities, characters, and ages. One should meditate on all of them—[their] names, figures, and so on, and that given by the guru [i.e., as well as one’s own mañjarī form, meaning, one’s own siddha-body, alt., the mañjarī who is endowed with [charming] dress, figure, qualities, character, and age—one should meditate on all of this given by the guru—the name, form, and so on [of this mañjarī form, that is, one’s guru-given siddha-body]]. Situated [in one’s own mañjarī form] among all of them [i.e., all the aforementioned and alluded to mañjarīs], one should always worship Śrī Rādhikā and Hari. Meditating [in this way], being situated in the abode of Kṛṣṇa’s Beloved [viz., Śrī Rādhikā], and being a fulfiller of her orders, a sādhaka serves during the eight time periods [of the day]. One should meditate on oneself in the imaginational [alt., meditational (DCG variant)] form of a companion of these sakhīs adorned with [their] orders, [their] service, [one’s] acme [i.e., ultimate aspired for attainment], [their] grace, and [their] ornaments, as well as the mañjarīs forms of one’s guru and so forth [i.e., along with one’s grand-guru and the other guru’s in one’s line of succession (paramparā).”

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gṛhyokta-karmaṇā yena samīpaṁ nīyate guroḥ

gṛhyokta-karmaṇā yena samīpaṁ nīyate guroḥ |
bālo vedāya tad yogād bālasyopanayaṁ viduḥ ||
(Aparārka, the earliest commentator on Yājñavalkya-smṛti commentator)

“Know that by which a boy is brought near the guru by means of a rite stated in the Gṛhyas [i.e., the Gṛhya-sūtras] for the purpose of [studying] the Veda [alt., for the sake of acquiring knowledge] on account of occasion [i.e., because the boy has reached the age at which this is to be done] to be the boy’s upanayana [lit., ‘bringing (nayana) near (upa)’].”

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ekā bhūr ubhayor aikyam ubhayor dala-kāṇḍayoḥ

ekā bhūr ubhayor aikyam ubhayor dala-kāṇḍayoḥ |
śāli-śyāmākayor bhedaḥ phalena paricīyate ||
(Mahāsubhāṣita-saṅgraha: 7630)

“The two have [i.e., grow in] the same ground, and the two have the same leaves and stalks. The difference between rice and millet is known [only] by the result [i.e., the type of grain the two plants produce].”

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atha śrī-bhagavan-nāma-japasya smaraṇasya ca

atha śrī-bhagavan-nāma-japasya smaraṇasya ca |
śravaṇasyāpi māhātmyam īṣad bhedād vilikhyate ||
(Hari-bhakti-vilāsa: 11.472)

“Now [i.e., now that the greatness of chanting (kīrtana) of Śrī Bhagavān’s names has been described], the greatness of japa, as well as remembrance and hearing, of Śrī Bhagavān’s names is delineated because of a slight distinction [between these and chanting (kīrtana) of Śrī Bhagavān’s names].”

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atha japa-bhedāḥ tal-lakṣaṇādi ca

atha japa-bhedāḥ tal-lakṣaṇādi ca—
trividho japa-yajñaḥ syāt tasya bhedān nibodhata |
vācikaś ca upāṁśuś ca mānasaś ca tridhā mataḥ |
trayāṇāṁ japa-yajñānāṁ śreyān syād uttarottaraḥ ||
yad ucca-nīca-svaritaiḥ spaṣṭa-śabdavad-akṣaraiḥ |
mantram uccārayed vyaktaṁ japa-yajñaḥ sa vācikaḥ ||
śanair uccārayen mantram īṣad auṣṭhau pracālayet |
kiñcic chabdaṁ svayaṁ vidyād upāṁśuḥ sa japaḥ smṛtaḥ ||
dhiyā yad akṣara-śreṇyā varṇād varṇaṁ padāt padam |
śabdārtha-cintanābhyāsaḥ sa ukto mānaso japaḥ ||

(Nṛsiṁha Purāṇa; cited in Hari-bhakti-vilāsa: 17.155–158)

“Now, the divisions of japa and their characteristics [are described]—‘Japa-sacrifice (yajña) shall be [known to be] of three types. Hear of the [three] divisions of this. The three types are known as verbal (vācika), sotto voce (upāṁśu) and mental (mānasa). There shall be successive superiority amid these three [types of] japa-sacrifices [i.e., they are listed in order from lesser to greater]. That which shall pronounce the mantra distinctly with clear, audible syllables and high and low pitches is [called] verbal (vācika) japa-sacrifice. That which shall pronounce the mantra [only] softly, move the lips [only] slightly, and make known [i.e., heard] some sound [only] to oneself is known as sotto voce (upāṁśu) japa. That which is a repetition of contemplation of the meaning of the words [in the mantra] with the mind [moving] from one phoneme to another phoneme in the series of syllables [within each word] and from one word to another word [throughout the mantra] is called mental (mānasa) japa.”

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atha bhakta-niṣṭhām aiśvarya-jñānam

atha bhakta-niṣṭhām aiśvarya-jñānam | īśvaro’yam ity anusandhāne sati hṛt-kampā-janaka-sambhrameṇa svīya-bhāvasyātiśaithilyaṁ yat pratipādayati tad aiśvarya-jñānam, ata eva ‘yuvāṁ na naḥ sutau sākṣāt pradhāna-puruṣeśvarau’ ity ādi vasudevokteḥ, ‘sakheti matvā prasabhaṁ yad uktam’ ity arjunokteś ca | īśvaro’yam ity anusandhāne’pi hṛt-kampā-janaka-sambhrama-gandhasyānudgamāt svīya-bhāvasyātisthairyam eva yad utpādayati tan mādhurya-jñānam, yathā—‘vandinas tam upadeva-gaṇā ye vādya-gīta-balibhiḥ parivavruḥ | vatsalo vraja-gavāṁ yad aga-dhro vandyamāna-caraṇaḥ pathi vṛddhaiḥ ||’ iti ca yugala-gītokteḥ |
(Rāga-vartma-candrikā: 2.5)

“Now, awareness of Godhood (Aiśvarya-jñāna) present in bhaktas [will be discussed]. That [awareness] which produces a great slackening of one’s own bhāva [for Kṛṣṇa] by means of reverential excitement (sambhrama) productive of trembling of the heart when the thought is present, ‘He is Īśvara,’ is [called] ‘awareness of Godhood’ (Aiśvarya-jñāna), thus in accord with the statement of Vasudeva [in SB 10.85.15], ‘You two are not our sons; you two are directly the Īśvaras of material existence (pradhāna) and [all] embodied beings (puruṣa),’ and the statement of Arjuna [in BG 11.41–42], ‘O Acyuta, I beg you, the Immeasureable, for forgiveness for what was importunately said by me out of inattention or because of uninhibited affection—‘Hey Kṛṣṇa! Hey Yādava! Hey Sakhā!’—considering you a friend and not knowing this greatness of yours, and for your not being honored [by me] while sporting, resting, sitting, and eating alone or in the presence of others for the sake of jesting.’ That [awareness] which causes only great steadiness of one’s own bhāva [for Kṛṣṇa] as a result of the non-production of [even] a trace of reverential excitement (sambhrama) productive of trembling of the heart even in the presence of the thought, ‘He is Īśvara,’ is [called] ‘awareness of sweetness’ (mādhurya-jñāna), as per the statement by the gopīs in the Yugala-gīta [in SB 10.35.21–22], ‘Praisers, who are minor devas, worship him all around with music, songs, and tributes; [he is] affectionate to the cows of Vraja since he is the lifter of the mountain [viz., Govardhana], and his feet are being worshiped by the elders [i.e., the devatās] along the path.’”

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atra vidhi-mārgeṇa rādhā-kṛṣṇayor bhajane

atra vidhi-mārgeṇa rādhā-kṛṣṇayor bhajane mahāvaikuṇṭhastha-goloke khalv avivikta-svakīyā-parakīyā-bhāvam aiśvarya-jñānaṁ prāpnoti | madhura-bhāva-lobhitve sati vidhi-mārgeṇa bhajane dvārakāyāṁ śrī-rādhā-satyabhāmayor aikyāt satyabhāmā-parikaratvena svakīyā-bhāvam aiśvarya-jñāna-miśra-mādhurya-jñānaṁ prāpnoti | raga-mārgeṇa bhajane vraja-bhūmau śrī-rādhā-parikaratvena parakīyā-bhāvaṁ śuddha-mādhurya-jñānaṁ prāpnoti |
(Rāga-vartma-candrikā: 2.6)

“In this regard, from worship of Rādhā-Kṛṣṇa by means of the path of injunction (vidhi) one attains in the Goloka situated in Mahāvaikuṇṭha awareness of [Śrī Kṛṣṇa’s] Godhood (Aiśvarya-jñāna) and a bhāva that is indiscriminate between svakīyā and parakīyā [i.e., a bhāva that possesses no specificity as to whether Kṛṣṇa’s beloveds are ‘his own’ (svakīyā), meaning, his wives, or ‘another’s’ (parakīyā), meaning, the wives of others]. When one [i.e., a sādhaka] is desirous of madhura-bhāva, from worship by means of the path of injunction (vidhi) one attains awareness of [Kṛṣṇa’s] sweetness (mādhurya) mixed with awareness of [his] Godhood (Aiśvarya-jñāna) and svakīyā-bhāva [i.e., the perception that Kṛṣṇa’s beloveds are his own wives] by virtue of [one’s then] being a companion of Satyabhāmā on account of the oneness between Śrī Rādhā and Satyabhāmā in Dvārakā. From worship by means of the path of attachment (rāga) one attains pure awareness of [Kṛṣṇa’s] sweetness (mādhurya) [i.e., awareness that is free from awareness of his Godhood (Aiśvarya)] and parakīyā-bhāva [i.e., the perception that Kṛṣṇa’s beloveds are ‘another’s’] by virtue of [one’s then] being a companion of Śrī Rādhā in the land of Vraja.”

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rāga-bhakti vidhi-bhakti haya dui-rūpa

rāga-bhakti vidhi-bhakti haya dui-rūpa |
svayaṁ-bhagavattve bhagavattve prakāśa dvi-rūpa ||
rāga-bhaktye vraje svayaṁ-bhagavāne pāya |
vidhi-bhaktye pārṣada-dehe vaikuṇṭhete yāya ||
(Caitanya-caritāmṛta: 2.24.84–85, 87)

“There are two forms [of bhakti]: rāga-bhakti and vidhi-bhakti. There are two forms of manifestation [of Brahman in response to these two forms of bhakti]: as Svayam Bhagavān [i.e., as Śrī Kṛṣṇa in Gokula] and as Bhagavān [i.e., as the various forms of Bhagavān found elsewhere]. By rāga-bhakti, one attains Svayaṁ Bhagavān in Vraja. By vidhi-bhakti, one reaches Vaikuṇṭha in the body of a companion (pārṣada) [of Bhagavān].”

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atha vaidhī-lakṣanaṁ

atha vaidhī-lakṣanaṁ—śravaṇa-kīrtanādīni śāstra-śāsana-bhayena yadi kriyante tadā vaidhī bhaktiḥ |
(Bhakti-rasāmṛta-sindhu-bindu: 8)

“Now, the characteristic of vaidhī [-bhakti is stated]: when hearing, praising, and so forth are done out of fear of the ruling of śāstra, then vaidhī-bhakti [is being practiced].”

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