tad dhi tat-tad-vraja-krīḍā-dhyāna-gāna-pradhānayā |
bhaktyā sampadyate preṣṭha-nāma-saṅkīrtanojjvalam ||
(Bṛhad Bhāgavatāmṛta: 2.5.218)
“That [i.e., the prema that leads to attainment of the Beloved, one’s Iṣṭa-deva, in Goloka], bright with saṅkīrtana of the names of the Beloved, is certainly manifested through bhakti in which meditation on and singing of the [Beloved’s] various acts of play in Vraja are primary.”
vaidhī rāgānugā ceti sā dvidhā sādhanābhidhā |
(Bhakti-rasāmṛta-sindhu: 1.2.5)
“There are two kinds of sādhana-bhakti: vaidhī and rāgānugā.”
ativādāṁs titikṣeta nāvamanyeta kañcana |
na cemaṁ deham āśritya vairaṁ kurvīta kenacit ||
(Śrīmad Bhāgavatam: 12.6.34)
“One should tolerate harsh speech and should not disrespect anyone [i.e., even those who disrespect oneself]. One should not take shelter of this [sāṁsārika] body and create enmity with anyone.”
śrī-rūpa-darśita-diśā likhitāṣṭa-kālyā
śrī-rādhikeśa-kṛta-keli-tatir mayeyam |
sevāsya yogya-vapuṣāniśam atra cāsyā
rāgādhva-sādhaka-janair manasā vidheyā ||
(Govinda-līlāmṛta: 23.94)
“This profusion of play performed by Śrī Rādhikā’s Īśa throughout the eight times [of the day] has been written by me following the direction shown [to me] by Śrī Rūpa. Sevā to him [i.e., Śrī Kṛṣṇa] and to her [i.e., Śrī Rādhikā] herein [i.e., within this līlā throughout the eight times of the day, or, here in Śrī Vṛndāvana] is to be performed continuously by sādhakas on the path of rāga with a befitting form within the mind.”
