tataḥ sa gītaṁ sarasāli-gītaṁ

tataḥ sa gītaṁ sarasāli-gītaṁ
vidagdhayor nāgarayoḥ parasya |
premno’tikāṣṭhā-pratipādanena
dvayoḥ paraikya-pratipādy avādīt ||
(Caitanya-carita-mahākāvya: 13.45)

“Then he [i.e., Rāmānanda Rāya] sang a song full of rasas which, by explaining the ultimate climax of the expert lovers’ supreme prema, explained their supreme oneness.”

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