Mantropāsanāmayī-līlā

tatrāprakaṭā dvividhā—mantropāsanāmayī svārasikī ca

tatrāprakaṭā dvividhā—mantropāsanāmayī svārasikī ca | prathamā yathā tat-tad-ekatara-sthānādi-niyata-sthitikā tat-tan-mantra-dhyāna-mayī | … nānā-sthānānusāraṇa-rūpatvād eka-sthāna-niṣṭhāyā mantropāsanāmayyā bhidyate’sau | yathāvasara-vividha-svecchāmayī svārasikī | … nānā-līlā-pravāha-rūpatayā svārasikī gaṅgeva | ekaika-līlātmatayā mantropāsanāmayī tu labdha-tat-sambhava-hrada-śreṇir iva jñeyā | kiṁ ca, mantropāsanāmayyām api vraja-rājādi-sambandhaḥ śrūyate, kim uta svārasikyām iti na kutrāpi tad-rahitatā kalpanīyā | … govindaḥ śrī-vṛndāvana-deva eva … keśavo’pi śrī-mathurā-nātha eva, tau hi vṛndāvana-mathurā-prasiddha-mahā-yoga-pīṭhayos … prāpañcika-loka-dṛṣṭyāṁ śrīmat-pratimākāreṇābhātaḥ, svajana-dṛṣṭyāṁ sākṣād-rūpeṇa ca |
(Kṛṣṇa Sandarbha: 153)

“Therein, the aprakaṭa [-līlā] is of two types: mantropāsanāmayī and svārasikī. The first [is aprakaṭa-līlā that] is a fixed state amid one of various places and so forth and constituted of a correlated mantra and meditation. … This [i.e., svārasikī-līlā] is distinguished from mantropāsanāmayī, which is fixed at one place, because [its, i.e., svārasikī-līlā’s] being a form of movement amidst various places. Svārasikī is constituted of [Bhagavān’s] various personal wishes [manifesting successively in the flow of time within aprakaṭa-līlā] in accord with circumstances [that arise in various places at various times]. Svārasikī is like the Gaṅgā on account of being of the nature of a [continuous] flow of various līlās. Mantropāsanāmayī, on the contrary, on account of being constituted of one singular līlā, is to be understood to be like a multitude of perceived lagoons produced from that [i.e., from the flow of svārasikī-līlā]. Furthermore, [Bhagavān’s] relation with the king of Vraja and so forth is heard of even in mantropāsanāmayī, and so all the more in svārasikī. Thus, it [i.e., Bhagavān’s līlā, of both the mantropāsanāmayī and svārasikī varieties] are never to be conceived devoid of that [i.e., devoid of him having the relationships that he does with all his various associates in the various abodes of his līlās]. … Govinda, the Lord of Śrī Vṛndāvana … and Keśava, the Lord of Śrī Mathurā—at the well-known mahāyogapīṭhas in Vṛndāvana and Mathurā [respectively] these two … shine in the form of splendid deities in the vision of worldly people and in their direct forms in the vision of their own persons [i.e., bhaktas].”

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smared vṛndāvane ramye mohayantam anāratam

smared vṛndāvane ramye mohayantam anāratam |
govindaṁ puṇḍarīkākṣaṁ gopa-kanyāḥ sahasraśaḥ ||
ātmano vadanāmbhoja-preritākṣi-madhu-vratāḥ |
kāma-bāṇena vivaśāś ciram āśleṣaṇotsukāḥ ||
muktāhāra-lasat-pīnottuṅga-stana-bharānatāḥ |
srasta-dhammilla-vasanā mada-skhalita-bhāṣaṇāḥ ||
danta-paṅkti-prabhodbhāsi-spandamānādharāñcitāḥ |
vilobhayantīr vividhair vibhramair bhāva-garbhitaiḥ ||
(Śāradā-tilaka, following the Mṛtuñjaya-saṁhitā; cited in Hari-bhakti-vilāsa: 3.110–113, Bhakti Sandarbha: 286)

“Remember in joyful Vṛndāvana

Govinda of lotus eyes

Enchanting unceasingly

Thousands of gopa girls,

Their own bumblebees eyes directed

Towards the lotus of his face,

Captivated by arrows of kāma,

Long eager for his embraces,

Bowed by the weight of their full, raised breasts

Shining with pearl necklaces [draped over them],

Their chignons and garments disheveled,

Their speech wavering with passion,

Adorned with quivering lips

Shining with the splendor

Of their rows of teeth,

And alluring [him] with various amorous movements

Filled with bhāva.”

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sat-puṇḍarīka-nayanaṁ meghābhaṁ vaidyutāmbaram

sat-puṇḍarīka-nayanaṁ meghābhaṁ vaidyutāmbaram |
dvi-bhujaṁ jñāna-mudrāḍhyaṁ vana-mālinam īśvaram ||
gopa-gopī-gavāvītaṁ sura-druma-talāśritam |
divyālaṅkaraṇopetaṁ rakta-paṅkaja-madhyagam ||
kālindī-jala-kallola-saṅgi-māruta-sevitam |
cintayaṁś cetasā kṛṣṇaṁ mukto bhavati saṁsṛteḥ ||
(Gopāla-tāpanī Upaniṣad: 1.9–11; cited in Hari-bhakti-vilāsa: 3.107–109, Kṛṣṇa Sandarbha: 153, Sārārtha-darśinī-ṭīkā on Śrīmad Bhāgavatam: 10.87.2)

“Excellent lotus eyes,

The luster of a cloud,

Cloth like lightning,

Two-arms,

Endowed with the posture of wisdom,

Wearing a forest garland,

Capable,

Surrounded by gopas, gopīs, and cows,

Situated at the base of a sura-tree,

Endued with divine ornaments,

Centered on red lotus [seat],

Attended by breezes

Bearing [the mist from] the waves

Of the waters of the Kālindī—

Meditating with the heart on Kṛṣṇa [in this way],

One becomes liberated from saṁsāra.”

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