Anubhāvas

bhakti-yogaḥ puraivoktaḥ prīyamāṇāya te’nagha

bhakti-yogaḥ puraivoktaḥ prīyamāṇāya te’nagha |
punaś ca kathayiṣyāmi mad-bhakteḥ kāraṇaṁ param ||
śraddhāmṛta-kathāyāṁ me śaśvan mad-anukīrtanam |
pariniṣṭhā ca pūjāyāṁ stutibhiḥ stavanaṁ mama ||
ādaraḥ paricaryāyāṁ sarvāṅgair abhivandanam |
mad-bhakta-pūjābhyadhikā sarva-bhūteṣu man-matiḥ ||
mad-artheṣv aṅga-ceṣṭā ca vacasā mad-guṇeraṇam |
mayy arpaṇaṁ ca manasaḥ sarva-kāma-vivarjanam ||
mad-arthe’rtha-parityāgo bhogasya ca sukhasya ca |
iṣṭaṁ dattaṁ hutaṁ japtaṁ mad-arthaṁ yad vrataṁ tapaḥ ||
evaṁ dharmair manuṣyāṇām uddhavātma-nivedinām |
mayi sañjāyate bhaktiḥ ko’nyo’rtho’syāvaśiṣyate ||
(Śrīmad Bhāgavatam: 11.19.19–24; cited in Hari-bhakti-vilāsa: 10.514-517, 526; Bhakti Sandarbha: 228)

“The practice (yoga) of bhakti was indeed explained previously [to you by me]. O sinless one, for you who are finding pleasure [in that], I will describe again the best means of bhakti to me. Continuous śraddhā in the nectar of narration of me, recapitulating related to me, full fixity in ritual worship of me, praising [me] with hymns, attentive regard for adoring service [to me], offering respectful obeisance [to me] with all the limbs, exceeding worship of my bhakta, awareness of me in all entities, body-activity for purposes related to me, speaking of my qualities with the [faculty] of speech, offering of the mind to me, letting go of all desires, relinquishment of wealth, as well as of enjoyment and of pleasure, for my sake, and sacrifice, charity, oblations, utterance (japa), rites, and austerity which are for my sake—by means of such dharmas, O Uddhava, bhakti to me is manifested in full for human beings who are offerers of themselves [to me]. What other object remains for one [i.e., for such a bhakta]?”

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yatreme sad-asad-rūpe pratiṣiddhe sva-saṁvidā

yatreme sad-asad-rūpe pratiṣiddhe sva-saṁvidā |
avidyayātmani kṛte iti tad brahma-darśanam ||
(Śrīmad Bhāgavatam: 1.3.33; cited in Prīti Sandarbha: 3)

“That [vision] wherein the gross and subtle bodies are negated [i.e., understood to not be the self] through full knowledge of the self, such that they are [recognized to have been] superimposed upon the self by ignorance (avidyā) is vision (darśana) [i.e., direct experience (sākṣātkāra)] of Brahman.”

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prītir yato yasya sukhaṁ ca yena

prītir yato yasya sukhaṁ ca yena
samyag bhavet tad-rasikasya tasya |
tat sādhanaṁ śreṣṭhatamaṁ susevyaṁ
sadbhir mataṁ pratyuta sādhya-rūpam ||
(Bṛhad Bhāgavatāmṛta: 2.3.152)

“The sādhana related to him [i.e., Śrī Bhagavān] of a relisher of him for which one’s complete affinity (__prīti__), and by which [one’s complete] satisfaction, shall come about is the best of all, [is] to be excellently performed, and [is] considered, rather, the goal and a form [of that goal] by the sat.”

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anubhāvās tu citta-stha-bhāvānām avabodhakāḥ

anubhāvās tu citta-stha-bhāvānām avabodhakāḥ |
te bahir vikriyā prāyāḥ proktā udbhāsvarākhyayā ||
(Bhakti-rasāmṛta-sindhu: 2.2.1)

“Indicators of the bhāvas situated in the heart are [called] anubhāvas (effects) [e.g., smiling, dancing, and singing]. They are for the most part external transformations, and [thus] are referred to by the name udbhāsvaras (illuminations).”

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ye kṛṣṇa-bhakta-muralī-nādādyā hetavo rateḥ

ye kṛṣṇa-bhakta-muralī-nādādyā hetavo rateḥ |
kārya-bhūtāḥ smitādyāś ca tathāṣṭau stabdhatādayaḥ ||
nirvedādyāḥ sahāyāś ca te jñeyā rasa-bhāvane |
vibhāvā anubhāvāś ca sāttvikā vyabhicāriṇaḥ ||
(Bhakti-rasāmṛta-sindhu: 2.1.12–13)

“The causes of rati—Kṛṣṇa, the bhakta, the sound of the muralī, and so forth; the effects [of rati]—smiling and so forth, and the eight beginning with stupor; and the assistants [of rati]—self-disparagement and so on—these are to be known [respectively] in the production of rasa as the vibhāvas, anubhāvas, sāttvikas [i.e., sāttvika-bhāvas], and vyabhicāris [i.e., vyabhicāri-bhāvas].”

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