vikṣepas teṣu vyavahārika-vārtā-samparkaḥ
vikṣepas teṣu vyavahārika-vārtā-samparkaḥ |
(Mādhurya-kādambinī: 4.2)
“Vikṣepa [i.e., distraction] means involvement in worldly affairs during them [i.e., during kīrtana, śravaṇa, and so forth].”
Niṣṭhā
layaḥ kīrtana-śravaṇa-smaraṇeṣu
layaḥ kīrtana-śravaṇa-smaraṇeṣu uttareṣv ādhikyena nidrodgamaḥ |
(Mādhurya-kādambinī: 4.2)
“Laya [i.e., mental slackening] means sleepiness increasing sequentially during kīrtana, śravaṇa, and smaraṇa.”
layādy-abhāva eva niṣṭhā-liṅgam
layādy-abhāva eva niṣṭhā-liṅgam |
(Mādhurya-kādambinī: 4.2)
“The absence of laya and so forth [vikṣepa, apratipatti, kaṣāya, and rasāsvāda] is the characteristic of niṣṭhā.”
niṣṭhā tatrāvikṣepeṇa sātatyam
niṣṭhā tatrāvikṣepeṇa sātatyam |
(Durgama-saṅgamanī-ṭīkā on Bhakti-rasāmṛta-sindhu: 1.4.15)
“Niṣṭhā is unwavering constancy therein [in bhajana].”
ādau śraddhā tataḥ sādhu-saṅgo
ādau śraddhā tataḥ sādhu-saṅgo’tha bhajana-kriyā |
tato’nartha-nivṛttiḥ syāt tato niṣṭhā rucis tataḥ |
athāsaktis tato bhāvas tataḥ premābhyudañcati |
sādhakānām ayaṁ premnaḥ prādurbhāve bhavet kramaḥ ||
(Bhakti-rasāmṛta-sindhu: 1.4.15–16)
“First śraddhā, then sādhu-saṅga, then bhajana-kriyā, then anartha-nivṛtti, then niṣṭhā, then ruci, then āsakti, then bhāva, and then prema appear. These are the stages in the appearance of prema in a sādhaka.”