Dance

puṅkhānupuṅkha-viṣayekṣaṇa-tatparo’pi
brahmāvalokana-dhiyaṁ na jahāti yogī |
saṅgīta-tāla-laya-vādya-vaṁśa-gatāpi
maulistha-kumbha-parirakṣaṇa-dhīr naṭīva ||
(Varāha Upaniṣad: 2.82)

“Even while engaged in observing the objects of the senses, arrow after arrow, the yogī does not give up awareness of seeing Brahman, just as a dancer, even while engaged in [i.e. dancing in] accord with a composition of singing, rhythm, time, and instrumental music, does not give up her awareness of balancing the pot situated atop her head.”

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