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  • paribhāṣeyam | sā cāniyame niyama-kāriṇī |
    (Vṛtti on Hari-nāmāmṛta-vyākaraṇa: 44)

    “That which makes a rule where there was no rule—this is a paribhāṣā (general rule).”

    Read on →: paribhāṣeyam | sā cāniyame niyama-kāriṇī

  • nāma-karaṇaṁ sañjñā |
    (Vṛtti on Hari-nāmāmṛta-vyākaraṇa: 42)

    “Sañjñā means assigning a name.”

    Read on →: nāma-karaṇaṁ sañjñā

  • uktānukta-duruktānāṁ cintā yatra pravartate |
    vākyaṁ tad vārttikaṁ prāhuḥ vārttika-jñā manīṣiṇaḥ ||
    (Parāśara Purāṇa)

    “Wise knowers of a vārttika say a vārttika (gloss) is a statement in which stated, unstated, and poorly stated thoughts [in a text] are brought forth.”

    Read on →: uktānukta-duruktānāṁ cintā yatra pravartate

  • sañjñā ca paribhāṣā ca vidhir niyama eva ca |
    atideśo’dhikāraś ca ṣaḍ-vidhaṁ sūtra-lakṣaṇam ||
    (Vṛtti on Hari-nāmāmṛta-vyākaraṇa: 42)

    “The categories of sūtras are of six types: sañjñā, paribhāṣā, vidhi, niyama, atideśa, and adhikāra.”

    Read on →: sañjñā ca paribhāṣā ca vidhir niyama eva ca

  • alpākṣaram asandigdhaṁ sāra-vat viśvato-mukham |
    astobham anavadyaṁ ca sūtraṁ sūtra-vido viduḥ ||
    (Vāyu Purāṇa; Skanda Purāṇa; Viṣṇu-dharmottara)

    “Knowers of sūtras know a sūtra (aphorism) to be concise [i.e., of a minimum of letters], unambiguous, substantial [i.e., expressive of the essence of its subject-matter], comprehensive, without any pause [i.e., stoppages or insertions], and irreproachable [i.e., faultless].”

    Read on →: alpākṣaram asandigdhaṁ sāra-vat viśvato-mukham

  • sargabandho mahākāvyam ucyate tasya lakṣaṇam |
    āśīr namaskriyā vastu-nirdeśo vāpi tan-mukham ||
    (Kāvyādarśa: 1.14)

    “That [composition] which is constructed in sections is called a mahākāvya [‘epic poem’]. Its characteristic is that its opening is a blessing (āśīḥ), an offering of obeisance (namaskriyā), or [may also include] a specification of [its] subject-matter.”

    Read on →: sargabandho mahākāvyam ucyate tasya lakṣaṇam

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