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  • govardhana-girim upetya kaṭākṣa-bāṇān
    karṇa-sphuran-maṇi-śilopari saṅkṣuvānā |
    kā bhrū-dhanur-dhuvana-sūcita-luñcaneyaṁ
    vyagrīkaroty ahaha mām api sambhrameṇa ||
    (Dāna-keli-kaumudī: 30; cited in Ujjvala-nīlamaṇi: 14.3)

    “Reaching Govardhana Hill
    And sharpening the arrows of her side-long glances
    Atop the sparkling jewel-slabs on her ears,
    Who is this
    By whom thievery is intimated
    By the quivering of the bows of her brows,
    That, ahaha,
    Makes even me restless with excitement?”

    Read on →: govardhana-girim upetya kaṭākṣa-bāṇān

  • sthāyi-bhāvo’tra śṛṅgāre kathyate madhurā ratiḥ ||
    (Ujjvala-nīlamaṇi: 14.1)

    “In the case of śṛṅgāra [i.e., the rasa of amorous passion], the permanent disposition (sthāyi-bhāva) is called madhurā-rati.”

    Read on →: sthāyi-bhāvo’tra śṛṅgāre kathyate madhurā ratiḥ

  • śṛṅgaṁ hi manmathodbhedas tad-āgamana-hetukaḥ |
    uttama-prakṛti-prāyo rasaḥ śṛṅgāra iṣyate ||
    (Sāhitya-darpaṇa: 3.183; cited in the Locana-rocanī-ṭīkā on Ujjvala-nīlamaṇi: 1.21)

    “Since [the word] śṛṅga [lit., ‘peak’] refers to the emergence of amorous passion [lit., ‘the Mind-churner’] (Manmatha) [viz., Kāmadeva], the rasa the cause of which is the arising of that [i.e., of the emergence of amorous passion] and the basis of which primarily is the exalted [i.e., a nāyaka and nāyikā of exalted character] is called śṛṅgāra.”

    Read on →: śṛṅgaṁ hi manmathodbhedas tad-āgamana-hetukaḥ

  • sā vāg yayā tasya guṇān gṛṇīte
    karau ca tat-karma-karau manaś ca |
    smared vasantaṁ sthira-jaṅgameṣu
    śṛṇoti tat-puṇya-kathāḥ sa karṇaḥ ||
    śiras tu tasyobhaya-liṅgam ānamet
    tad eva yat paśyati tad dhi cakṣuḥ |
    aṅgāni viṣṇor atha taj-janānāṁ
    pādodakaṁ yāni bhajanti nityam ||
    (Śrīmad Bhāgavatam: 10.80.3–4)

    “That by which his qualities are praised is speech. Further, those which perform actions for him are hands. Further, that which shall remember [his] dwelling in the stationary and the moving is a mind. That which listens to purifying narrations of him is an ear. Indeed that which shall bow to both images of him is a head. That which beholds specifically those [i.e., images of him] is certainly an eye. Likewise, those which regularly honor the foot-wash of Viṣṇu and his devotees are limbs.”

    Read on →: sā vāg yayā tasya guṇān gṛṇīte

  • Śrī Kuñja-vihary-aṣṭakam (2)

    Eight verses in praise of the Frolicker in the bowers

    By Śrīmad Rūpa Gosvāmīpāda

    Read on →: Śrī Kuñja-vihary-aṣṭakam (2)

  • Śrī Keśavāṣṭakam

    Eight verses in praise of Śrī Keśava’s return to Vraja from the forest in the evening

    By Śrīmad Rūpa Gosvāmīpāda

    Read on →: Śrī Keśavāṣṭakam

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